During the course of a series of voyages, the pocket cameras of Pippo Delbono capture unique moments, ordinary and extraordinary meetings. From a hotel room in Paris to another in Budapest, from Istanbul to Bucharest, the journeys weave a fabric of the contemporary world. Its testimonials – some famous, others anonymous – say or dance their vision of the universe.

After committing a hit and run, a man insinuates himself into the lives of the victim's family.

Armed with camcorders, French artist Sophie Calle and American photographer Greg Shephard head West across the United States in his Cadillac convertible to produce and document a narrative of their journey and relationship.

Sophie Calle often defines herself as a "narrative" artist. Her photographs are items of evidence through which she tells stories that are both ordinary and disturbing, using her own life and experiences as the raw material for reconstructions that hover somewhere between truth and fiction. The Contacts collection is an invitation to discover the artistic approach of the greatest contemporary photographers from an original angle. Through a series of images (contact sheets, proofs, prints and slides), with a commentary by the photographer, the viewer enters the secret world of their creation and is guided into the heart of the photographic creative process.

Upon receiving a series of photographs taken from an ATM security camera, Calle becomes involved in a perplexing fifteen-year investigation. She manages to steal three surveillance tapes, and interacts with strangers, bank employees, and a pawn shop merchant in an attempt to clarify the meaning of money, security, and the anonymous photographs. The images, originally exhibited in an installation entitled Cash Machine, are now presented as the central narrative in this unresolved investigation.

Sophie Calle, an artist in constant search and concern for others and herself, relates her life in the form of a letter read aloud.