An exquisite corpse, the film extends the artist’s interests in the writings of Etel Adnan, the coming present and the personal as political.

Remixing the collections of London’s Victoria and Albert Museum, Tiger Strike Red is an oneiric jaunt through an alternative art history that finds playful linkages between classical marble sculpture, Buffy the Vampire Slayer, representations of Judith’s beheading of Holofernes, AI art, and an 18th-century South Indian automaton depicting a tiger mauling a British colonial soldier.

Al-Maria’s Mirror Cookie installation presents an intentionally disjointed monologue that references a self-help technique known as “mirror work.” It gradually develops into an impassioned improvisation delivered directly to the camera, as if the fourth wall she’s breaking is a reflection. As Bai Lings writes in one of her cookies, “We are our own mirror, reflecting the lights within.”

A tribute to the disappearing Arabian humpback whale population, tracing its near extinction as a consequence of the high-speed development of the Persian Gulf.

A Wayuu woman is possessed by a 40 million-year-old oil demon.

Rushes of the 2012 Eid al-Adha slaughter shot for the climax of the abandoned feature film Beretta.

A baby bird moves in the sand, watched by a mysterious stranger,

Though only the recipient can fully decode this video love letter, it is general enough to be read as a universal love poem.

A surreal interview with Chinese-American actress Bai Ling, cast as a 'love goddess' and speaking on the subject of vengefulness.