A young artist decides to create the perfect painting. For every brushstroke he paints, he gets further one in a long psychological process and soon cracks his picture of the perfect.

Martin's daughter, Emma, takes up a night watch job to find out what happened to her parents almost thirty years ago. A meeting with Wörmer in his cell pulls the serial killer out of his coma and sets in motion a chain of fateful events.

Young Anders has planned to propose to his girlfriend, Ane, during an old school reunion. However, the evening does not go as expected when Ane shows up.

After several years in prison, Anders is finally released. His sister Mia is looking forward for them to reconnect and rediscover their close bond. However, the past is not easy to escape and the two sibling's brutal childhood still haunts them both. Anders quickly falls back into his old destructive habits, while Mia soon discovers a much more sinister side of herself and the people around her

Simon and Frede lives in a provincial village south of Copenhagen. The year is 1991, and if you don't like watching football, there are few alternatives. Simon is good at drawing, and is reminded over and over again that this is a useless talent. An American grafitti video opens the eyes of Simon, for the American sub-culture, and a trip to Copenhagen increases his fascination for this form of art. Simon make Frede accompany him to the capital, where they join the grafitti group CHAOZ

Sofus, a young terminally ill cancer patient is enrolled in a hospice feeling ready to die. Shortly after arriving, he meets Sarah a charming young hospice worker. Sarah's impulsiveness and interesting approach to life intrigues him. However, Sarah hides a dark past, her father died of cancer and never gave her the chance to say goodbye. Sarah and Sofus spends a day together and Sarah shows Sofus a glimpse of the life he has never lived. On what seems to be the peak of their happiness together Sofus relapses and has an epileptic seizure which causes Sarah to shut Sofus out of her life afraid of losing him as she lost her dad. Sofus comfort in dying is now replaced with a fear of missing out on the life that he never knew he missed. Sofus realizes than in order to regain comfort in his remaining days, he has to understand the life and youth he has never experienced and have Sarah forgive her dead farther in order to start a new life.