Spanning locations in Tokyo, Hiroshima, and Hokkaido and featuring interviews with cast members and rare behind-the-scenes footage, it captures the creative collective journey of the filmmaking team.

When returning to Taiwan from abroad, Mika has a hard time coping with the "new normal" under the COVID-19 outbreak. Her mother is determined to fight the corona virus at all costs. The pandemic turns the household into a battlefield between Mika and her families. Confined to her tiny bedroom during the quarantine, Mika begins to notice inexplicable transformations of her body. Her absurd journey which is just like the quarantine version of Franz Kafka's The Metamorphosis is unfolding.

Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.

On the cusp of success/failure, two unhinged female filmmakers decide to break up with their boyfriends, and for once, make a bold decision with their lives.

Champion fighter Osvald is banned from competing after injuring a girl in a street fight. Stranded in his bleak Lithuanian hometown, he takes refuge in a run-down Taiwanese restaurant owned by his only friend, Ju-Long. Court-ordered therapy leads him to Skaistė, a woman who offers a glimpse of a life he's never known. But as Osvald clings to this fragile hope, his violent past resurfaces, forcing him to choose between redemption and self-destruction.

A cataclysmic event causes a man, who dreams of winning the lottery, to become stranded on an island with his co-workers.