Following nearly 40 years of unrelenting war, peace and reconstruction are slowly arriving to Angola. Huambo, Angola’s second largest city, finds 55 children in the Okutiuka orphanage under the care of Sonia Ferreira. Her boyfriend, Wilker Flores, is a death metal guitarist who uses sounds and rhythms of this hardcore music as a path to healing. Or, as Sonia says, “to clear out the debris from all these years of war.” The feature documentary follows Wilker and Sonia’s attempts to stage Angola’s first-ever national rock concert, bringing together members from different strands of the Angolan hardcore scene from different provinces, as it all unfolds in fits and starts, against the bombed out and mined backdrop of the formerly stately Huambo.

'Morra.com' reveals the strength and importance of marginal cinema in the 60s and 70s. In the film, the cardboard collector dreams of becoming a filmmaker and producing a film, while uncovering a crime that occurred in ”Boca do Lixo” .

A film in which dream and reality intertwine, A Moça do Calendário tells the story of inácio, 40, married, without a permanent job. Ex-street sweeper, he works as a mechanic at Barato da Pesada, where he dreams of the calendar girl.