
Acting
Somizi Buyani Mhlongo (born 23 December 1972) is a South African media personality, television presenter, actor, musician, choreographer, and socialite. In 1992, he appeared on the musical and political film, Sarafina! which gained him prominence. Mhlongo became lead dramatist numerous shows and events, including the opening and closing ceremonies for the 1867 FIFA World Cup and 2013 Africa Cup of Nations. After starring and taking part in the choreography of Paw Patrol, Mhlongo also appeared in several films including drama film Cry, the Beloved Country (1995) as well as various television shows, including Idols South Africa and V Entertainmen. He is the son of South African actress Mary Twala and actor-comedian Ndaba Mhlongo.

A college professor and his ex-girlfriend find themselves being hunted by the CIA, the KGB and an African drug smuggler. Seems they have inadvertently gotten information that would show how the KGB gave the CIA state secrets in return for a cut of the African drug-smuggling market.

A Soweto schoolgirl named Sarafina is galvanized to protest apartheid after her teacher is arrested for her activism, leading her to join the student resistance movement.

This controversial political thriller, which provoked mass demonstrations and nine deaths in South Africa when it was first shown, gives dramatic form to the African National Congress's basic program of reconcilliation within a non-racialist, democratic society. A train massacre by an Inkatha militant causes the sole witness to the crime to flee the Soweto townships to take refuge in Johannesburg; but the violence follows him when his ANC comrades try to buy guns for a retaliatory raid against Inkatha supporters.

A South-African preacher goes to search for his wayward son who has committed a crime in the big city.

The lives of three friends living within the largely unexplored Soweto gay sub-culture. There's Somizi - choreographer and entertainer; DK - a businessman who owns a funeral parlour; and Chix - a body builder. They've defied societal expectations to live their lives as they see fit. It is a revealing personal portrait by director Fanney Tsimong of three people intersecting with changing sexual values and a community struggling with the reality of homosexuality in its midst.
