During her chaotic family’s Qingming visit, dead Grandma Nai sneaks away from her peaceful afterlife after overhearing that her queer grandson is about to get engaged to a woman.

Thida goes to the theatre to see a play with her friend. Later, when rehearsing her own lines, the boundaries between what’s in the script and what she actually wants to convey become ambiguous, even for herself. Will performing allow her to open up, or will she remain trapped inside her role?