Director Yeud Levanon and writer Yitzhak Ginsberg have created a film based on their memories from Hadasim boarding school.

A daydreaming highschool girl, who wants to become an author, is writing a story about her soldier boyfriend.

Nina treats her son’s Psoriasis disease in the Dead Sea. During the long hours her son is in treatment, Nina is left by herself and begins to drift away into a hazy voyage, daydreaming of another life.

Everyday life in Israel during the "Intifada": suicide-attacks, distresses, tensions. A director must present a new theater play but he just can't write a line. His partner, a documentary filmmaker, is preparing the portrait of a former soldier who opened a trade but went into bankruptcy. This man is ruined, his wife has left home, his son got exiled to Australia. The director, desperate, believes that hiring a private detective to follow his wife is gonna put some salt in his life. Without knowing it, the detective becomes the real director of the play which is getting written step by step.

The film takes place in Tel Aviv, much of it in a fictitious local pub called Barbie, a satirical nickname for a famous Israeli mental health institution. The pub's name hints at the characters and the events which occur in the pub and which befall its owner (Daliah), the employees and customers. The plot unfolds with a streak of violence which takes a surprising turn.

A group of girls and boys set up a secret society called "Hasamba"; their adventures take place, first during the British Mandate and the struggle for statehood of Israel, and then as they battle their country's enemies: infiltrators, spies, criminals and other offenders

Merab, a Georgian taxi driver who mistakenly crosses into Israel while seeing off his Jewish brother, Yasha, gets stuck without documents. He gets entangled in bureaucratic nightmares, mistaken identity, and KGB plots while trying to return home.

Two Israeli criminal families with Moroccan roots suffer the tragedies of their respective lives.

After the death of their mother, Thomas and his sister Mariana leave their hometown for a brighter future in the city. They become patrons of a marginal bar in Tel Aviv, Bar 51, whose regulars serve as a backdrop for Thomas’s obsessive love for his sister, and her desire to break free and make a life of her own.

Five short movies, linked by an animation, inspired by the life and work of Amos Guttman, the director from Transylvania who was a pioneer in Israeli gay cinema and died from AIDS in 1993. Produced by Tel Aviv Film Festival, it is a mixture of different styles and genres and is directed by six film-makers. In the last moving episode Kati Guttman celebrates his son, who passed away twenty years ago, and also recalls for the first time his own deportation to the Nazi death camps.