
Acting
Slamet Rahardjo Djarot (born January 21, 1949, in Serang, West Java, now part of Banten) is an Indonesian actor, director, and screenwriter. Known for over 50 years of his career as a versatile professional due to his strong and realistic on-screen presence, he is one of the most respected actors of his generation. His impressive performances were highly praised, particularly in romantic dramas such as Ranjang Pengantin (1974) and Di Balik Kelambu (1983). Throughout his career, he has received various awards and nominations for the Citra Awards at the Indonesian Film Festival, including Best Actor, Best Supporting Actor, Best Music Director, Best Screenwriter, and Best Director, making him one of the most frequently nominated filmmakers in the event's history. He has won five of these awards: Best Director for Kembang Kertas (1985) and Kodrat (1986); Best Actor for Ranjang Pengantin (1974) and Di Balik Kelambu (1983); and Best Music Director for November 1828 (1979) — alongside Franki Raden and Sardono W. Kusumo.

A group of 10 students struggles with poverty and develop hopes for the future in Gantong Village on the farming and tin mining island of Belitung.
Kodrat feels the loss after his friend, Solikhin, is shot dead by the police. They both come from poverty and are brought up in an orphanage. In return, they always donate the money they earn from their crimes to the orphanage. Kodrat wants revenge but his boss gives him an order to execute Solikhin’s girlfriend, Susy. He is not willing to do it. Instead, he brings Susy to the police, and goes to the orphanage to give away everything he owns. Mustakin, the patron of the orphanage, reveals Kodrat’s identity. He also tells Kodrat that the person who shot Solikhin is Sofyan, a friend from the orphanage. The bloody climax is inevitable, and the patron who tries to intervene becomes a victim.

A girls friendship with hijab. Three married women and a friend who is still single secretly started a hijab business without her husband knowing.

Algrafi Zayyan Danadyaksa was forced to return from America to Indonesia. The return was greeted by an arranged marriage with Naya, who was masterminded by Eyang Daksa. How will Algra and Naya escape from an arranged marriage?

Four siblings go missing and wake up in the afterlife, undergoing punishment for their worldly sins in the depths of hell.

This film tells about the life journey of several students at a campus in Bandung, namely Slamet, Fuad, Gungun, Poltak, Benny and Ria.

A real estate entrepeneur comes to Kabayan's village in West Java making false promises, including marriage to a woman he likes, if he sells the village's land to him. Kabayan tries to save his village and also win the heart of a woman.

Returning from Mecca, Darwis changes his name to Ahmad Dahlan as he is disturbed by the trend of Islamic laws in his society; that borders on heresy, Syrik (polytheism), and Bid’ah (wrong innovation). Using a compass, he proves that the direction of Qibla (that points to Mecca), in the Great Mosque of Kauman is wrong. The discovery angers every Kyai (Islamic experts), especially the head of the Great Mosque of Kauman, Kyai Penghulu Cholil Kamaludiningrat. Dahlan, who studied in Mecca for five years, is seen as a rebel upstart. Since the proposal of changing the direction of Qibla is rejected, Dahlan starts a movement calling for the change. On his first sermon as a preacher, Dahlan criticizes the habits of residents in his village in Yogyakarta: "In a prayer, only a sincere and patient heart is needed, it requires no Kyais, money, let alone offerings". As a result, Dahlan gets a hostile reception.

When a violent act kills her parents, Sita vows to debunk the idea of supernatural torment after death — a fixation that leads her on a dark quest.

In the late 15th century, a forbidden romance blossoms between Gusti Putri, a Javanese Hindu princess and Hang Tuah, a Malay Muslim warrior from Melaka, against a backdrop of war and mysticism.

This is a story about two boys, Andri and Gempol. Andri is rich, educated but unhappy. Lonely and neglected by his parents, he befriends Gempol whose parents are too poor to send him to school. While Gempol yearns to go to school, Andri envies his freedom and parental love. Andri sneaks food, books, and money to Gempol while Gempol, in return, gives him friendship.

An Asian anthology: Mirage, Aliwan Paradise, The Tree Of Life, and The Tokyo Game.

A study of middle class life in Jakarta.

A man violates his village's law by seducing and abandoning his childhood sweetheart. Exiled to Jakarta, he learns to love and respect those in the red light district, causing him to return home in an effort to make amends.

A man violates his village's law by seducing and abandoning his childhood sweetheart. Exiled to Jakarta, he learns to love and respect those in the red light district, causing him to return home in an effort to make amends.

A study of middle class life in Jakarta.

A portrait of newly married couple, Nurlela and Hasan, who have to live at the house of Nurlelas’s father. They do not have enough money to find a place of their own. Nurlela's father constantly compares Hasan negatively to his rich son-in-law Bakri (August Melasz), causes a friction between the young couple. Hasan and Nurlela fights when looking for their own way to be able to live independently. This situation makes them lie to each other, especially Hasan, who questions himself about his work and its environment. Hasan’s hard work to get off the family’s house eventually causes a misunderstanding. Nurlela almost commits suicide before the couple is able to trust each other again.

Although Ayu has been honest, Sutra is continuously haunted by the fact that Ayu was not a virgin when they married, even after five years of marriage. As a result, Sutra always faces problems in having sex with his wife. Then when he finds out that Ayu met her old friend, Manaseh, Sutra becomes increasingly suspicious and his mental state grows unstable. He himself has a relationship with Rhoda Darsono, who has a very possessive nature. This disturbs Sutra, who only wants to have fun with her. Just when Sutra starts to realise his mistake, he is murdered.

Although Ayu has been honest, Sutra is continuously haunted by the fact that Ayu was not a virgin when they married, even after five years of marriage. As a result, Sutra always faces problems in having sex with his wife. Then when he finds out that Ayu met her old friend, Manaseh, Sutra becomes increasingly suspicious and his mental state grows unstable. He himself has a relationship with Rhoda Darsono, who has a very possessive nature. This disturbs Sutra, who only wants to have fun with her. Just when Sutra starts to realise his mistake, he is murdered.
Kodrat feels the loss after his friend, Solikhin, is shot dead by the police. They both come from poverty and are brought up in an orphanage. In return, they always donate the money they earn from their crimes to the orphanage. Kodrat wants revenge but his boss gives him an order to execute Solikhin’s girlfriend, Susy. He is not willing to do it. Instead, he brings Susy to the police, and goes to the orphanage to give away everything he owns. Mustakin, the patron of the orphanage, reveals Kodrat’s identity. He also tells Kodrat that the person who shot Solikhin is Sofyan, a friend from the orphanage. The bloody climax is inevitable, and the patron who tries to intervene becomes a victim.

