For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform relationships between the body and the camera to propose works that will engage with both perception and embodiment. Could cinema be an art of embodiment? By what rituals and actions could vision become tactile?

In Electric Snakes, Adrian C. Louis’s thirteenth poetry collection, no one is spared his critical eye, including himself. These powerful and often humorous poems cover myriad subjects: Trump, music, zombies, Jimmy John’s, childhood, caller ID, venetian blinds, magpies, love, and Mom.

The title of this video, taken from the texts of the architect Kengo Kuma, suggests a way of looking at everything as “interconnected and intertwined” - such as the historical and the present and the tool and the artifact. Images and representations of two structures in the Portland Metropolitan Area that have direct and complicated connections to the Chinookan people who inhabit(ed) the land are woven with audio tapes of one of the last speakers of chinuk wawa, the Chinookan creole. These localities of matter resist their reduction into objects, and call anew for space and time given to wandering as a deliberate act, and the empowerment of shared utility.

This is a travelogue of sorts, as two friends whose lives intersect and diverge, look at the road and the vessels we use as means to traverse landscapes both contemporary and historical, and of the spirit and of the body.

A deal between two men threatens to unravel as tensions rise in this contemporary look at Indigenous language and culture.

The last piece in the constellation of works including Kicking the Clouds, Mnemonics of Shape and Reason, and the text Hello Trouble as well as a series of etched photographs. A letter to a sibling, reflecting on our pasts and ourselves, and the parents and grandparents we knew and could never know. Told in three channels, the voices and the texts overlap and are distant, where a return to the road is a return to solitude as the memories of our grandmothers shape a present loneliness and a gathering of futures.

This film is based on the tale of the four water spirits known as Island Weights. In the creation story of Ho-Chunk, the artist’s home nation, the spirits are placed at the Earth’s cardinal points, ensuring that its rotation is not chaotic. Ho-Chunk, now known as Wisconsin, translates as “People of the Great Voice” and stretches from Red Banks to Trempealeau, and from Minneapolis to Milwaukee. The film is divided into 5 parts — Wijirawaséwe (Island Weights), yoiréreginarere (the west), rek’úhuhíra (the south), hą́boguominàgara (the east), siniwagúreginągere (the north) — and follows an individual as he recounts his journey along the boundaries of Ho-Chunk lands. Visually, the viewer is drawn from the tumultuous waves of the Mississippi to serene forests, tranquil lakes, enormous shopping malls, earthen effigies and Ho-Chunk relics. The narrator is not only looking for the spirits, but also wishes to honor them.

An experimental documentary, Kicking the Clouds is centered on a 50-year-old cassette tape of a Pechanga language lesson between the director’s grandmother and great-grandmother, and contextualized by an interview with his mother in his Pacific Northwest hometown.

“Hopinka’s video Mnemonics of Shape and Reason (2021) traverses the memory of a place and space visited by the artist. Employing an original syntax of storytelling, the artist interweaves scattered and reassembled landscapes with layers of captured audio, poetic text, and music. A rhythmic account of the spiritual implications of colonial plunder, Hopinka’s fluid reflections transmute ideas of spiritual malleability tied to land, sky, sea, myth, place, and personhood.”

Against landscapes that the artist and his father traversed, audio of the father in the Ho-Chunk language is transcribed using the International Phonetic Alphabet, which tapers off, narrowing the distance between recorder and recordings, new and traditional, memory and song.