Directing
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A young location scout meets the art director of her project in a day they will keep in their memories for a while, each for their own reasons.
Two filmmakers have to make a short film for a non-smoking campaign again, but they have run out of ideas.
A lovelorn man overcomes the pain of splitting with his wife with a newfound love, only for his mother and brother to frustrate his happiness.
Ananda has returned home from abroad. Unsure of his career plans, he accepts an invitation to act in a new movie for a famous director. During the filming in a small seaside town, Zoe, his American girlfriend from University, arrives for a week-long visit.
A young woman leaves her hometown of Bangkok to visit her fiancé's family on their isolated farm.
A soundman goes in search of that rarest of sounds - silence.
Three stories which each focus on one of three types of relationships: family, friendship, and love. The first story is about conflicted manager on a business trip who is intrigued by an elderly worker and investigates his life. The second story is about a young father who receives a letter that brings him to a foreign land, where old emotions come unburied. The last story is about a visiting professor from overseas who sets a student's heart fluttering, while having to deal with his own.
A factory story, in which the process of image-making in negotiated in the slippage between fiction and documentary.
One of three films commissioned by the Jeonju International Film Festival in 2005. A couple escaped their family to look for a spiritual tree in the jungle. There is a song at night, a song that spoke about an innocent idea of love and a quest for happiness. Worldly Desires is an experimental project where I invited a filmmaker friend, Pimpaka Towira, to shoot the love story by day and the song by night. The story, Deep Red Bloody Night, was written by my assistant who wanted to reprise a forbidden love story in a more romantic time in the past. I picked a pop song, Will I be Lucky? to convey a sense of guiltless freedom one feels when being hit by love. The video is a little simulation of manners, dedicated to the memories of filmmaking in the jungle during the year 2001-2005. -Apichatpong Weerasethakul