Oliveira do Hospital, 1995. A screenwriter looking for inspiration, a failed actor trying to get back into the spotlight, and a suitcase full of cash hidden in a chimney. These are the ingredients of Serpentina, whose characters, while trying to make a movie, find themselves in a gangster film they don't know how to get out of. This film is part of the Contado Por Mulheres (Told by Women) project. This is a unique project in Portuguese audiovisual media that brings us the freshness of new female directors, all from different generations and recognized for their talent in various areas such as cinema, theater, dance, and advertising.

A couple takes refuge in an underground car park during an epidemic. She is desperate, having been wounded and infected and he tries to help her overcome the pain while he tries to instill some hope in a future that seems uncertain to them. She does not believe in his words, her boyfriend, only to find that the moment that he saved her from an infected person, he ended up wounded and subsequently infected. From now on generates an atmosphere of discomfort and attempt at reconciliation by both. The last proof of love. The last flame. The last chant. The Swan's Song.

1970. To Fronteira's village arrives a new chief to the Fiscal Guard. With unshakable convictions about the application of the Law, he quickly comes into confrontation with the population, which survives with the practice of smuggling. But a passionate conflict calls into question all your values and your sense of duty, forcing him to make an unexpected and irreversible decision.