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The eponymous party is hosted by Queenie and Burrs, long-term lovers who are rapidly growing apart.
Private eye Philip Marlowe investigates a case of blackmail involving the two wild daughters of a rich general, a pornographer and a gangster.
Two girls, one from Germany, the other from Japan meet and become friends in London, but soon discover things aren't what they seem.
Using interviews with close family, friends and collaborators, The Gospel According to St. Derek bears witness to Derek Jarman’s unique approach to low-budget film-making (his near-alchemical ability to turn the base components of film-making in to artistic gold, his placing of himself at the heart of all his work and his need to be part of a repertory company-type set-up). The Gospel… also promotes Derek Jarman’s importance as one of Britain's finest film-makers and acts, therefore, as a rally call to all would-be independent film-makers. This is the ’10 commandments of St. Derek ‘(who was indeed canonised by the Sisters of Perpetual Indulgence) on low-budget film-making.
Skindivers on holiday in Malta discover strange world beneath the sea.
A retelling of the life of the celebrated 17th-century Baroque painter Michelangelo Merisi da Caravaggio through his brilliant, nearly blasphemous paintings and his flirtations with the underworld.
Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.
A popular member of the Oxford community is killed and nobody figure out why. A police inspector is called in from Scotland Yard and discovers there may be more to the victim than anyone knows.
After decades abroad, Iona returns to her childhood home on Fiji, sensing that there she might find the answers to many questions she has about civilisation and its discontent.
On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. Bendrix's obsession with Sarah is rekindled; he succumbs to his own jealousy and arranges to have her followed.
Will Graham is a former London crime boss who has left his former life to live as a recluse in the forest. Haunted by the blood of those he has murdered, Will wishes never to return. But when his brother commits suicide following a sexual assault at the hands of a volatile car dealer, Will returns to London to discover the cause of his brother's death and administer justice to those responsible.
An old gangster is advised that Freddie Mays would leave jail after thirty years in prison. His mood changes and he recalls when he was a young punk and who joined Freddie's gang—a man he both envied and ultimately betrayed.
Jack Manfred is an aspiring writer who to make ends meet, takes a job as a croupier. Jack remains an observer, knowing that everything in life is a gamble and that gamblers are born to lose. Inevitably, he gets sucked into the world of the casino which takes its toll on his relationships and the novel he is writing.
Documentary about William Eggleston, a famous modern American photographer.
In a contemporary New York City, members of a dysfunctional family of vampires are trying to come to terms with each other, in the wake of their father's death. Meanwhile, they are being hunted by Dr. Van Helsing and his hapless nephew. As in all good vampire movies, forces of love are pitted against forces of destruction.
Melodrama about a man cursed with immortality, who tries to declare his undying love for a depressed actress.
Director Clio Barnard, using Harry and Paintbox techniques, intercut with a Hi-8 video diary, presents a non-narrative collage addressing sexual difference and artifice, both imagined and real.
In the present day, a story is unearthed of a whale body that became a world of dinner parties, clandestine sex and mayoral speeches. In a possible future, a group of those-who-were-left-behind (or, those-who-chose-to-stay) have made a home inside the body of a whale. They find themselves contemplating this new world and speculating on the state of things outside – a world ravaged by a climate crisis which they survived by turning to the ocean. At a crossing between the present day and this potential future, a lone figure sings a lament for the body of the world’s last whale.
CARGO is the story of a journey, I made on a container ship with a group of Rumanian and Filipino sailors, who were delivering cargo to the Middle East. I stayed on the ship six weeks. Most of the sailors weren’t allowed to leave the boat and they spent their days waiting, singing karaoke and telling me stories in a small TV room. In Syria, the ports were military zones. I hid at a porthole and secretly filmed the life below: a man stealing wood, a soldier fishing off the edge of an abandoned submarine. Later, I made a narrative, that falls between reality and fiction. It was a way of showing the limbo these men were living in.