During Marian Anderson's historic concert in front of the Lincoln Memorial in 1939, a white man and a black woman fall in love. During the turbulent half-century that follows, they try to protect their three musically gifted children from prejudices they themselves have suffered. Belgian avant-garde jazz pianist and composer Kris Defoort’s new opera is a fascinating symbiosis between jazz and classical music deeply rooted in the now. Inspired by Richard Powers' great American novel, The Time of Our Singing tells the story of a mixed-race family against the backdrop of racial segregation in the USA. In the world premiere at La Monnaie, Ted Hoffman's production lets official history and intimate stories collide to explore issues of identity, race and art.

Triumphantly premiered in 1724 at the King's Theatre in London, George Frideric Handel's Giulio Cesare in Egitto masterfully combines human emotions: Triumph with sorrow, despair with happiness and love with profound melancholy in the face of the transience of all earthly life. Star director Keith Warner creates a production that imaginatively blends silent film and baroque opera, delightfully echoing Mankiewicz's legendary Cleopatra with Elizabeth Taylor, Rex Harrison and Richard Burton. An excellent cast of singers is led by two of the world's leading countertenors: Bejun Mehta and Christophe Dumaux. Louise Alder shines as the seductive Cleopatra. Patricia Bardon, Simon Bailey and Jake Arditti are further highlights in this extraordinary group of singers, while Ivor Bolton provides the appropriate soundtrack on the podium of the Concentus Musicus Wien.

I due Figaro, o sia Il soggetto di una commedia is an opera (melodramma buffo) in two acts by Michele Carafa to a libretto by Felice Romani based on Les deux Figaro by Honoré-Antoine Richaud Martelly. The opera is a homage to Mozart, and tells of the further adventures of Cherubino, returned after 12 years in the army. Aimé Le Borne (1797-1866) arranged his friend Carafa's work as Les deux Figaro at the Théâtre Odéon, Paris 22 August 1827.