Pablo, professor at the University of Buenos Aires, has an affair with Luciana, one of his students. Natalia, another professor at the University of Buenos Aires starts an affair with her student Gonzalo. Two stories, as two sides of the same coin.

When her son is accused of raping and trying to murder his ex-wife, Alicia embarks on a journey that will change her life forever.

Lola, a young playwright and drama director, goes into a crisis before her new play is released. Her leading actress raises time and again that she has problems with the text. A friend of her, a visual artist, moves to her home after discovering an affair and her ex-boyfriend claims copyright. Lola doubts about her own play and struggles between moving forward in the chaos or give it up. She needs to find the true meaning of what she is doing to justify herself.

Antonio Decoud is a conservative family man who is forced by destiny to face an unexpected situation that shakes him to the core, scrambling up his life and his priorities, pushing him to forget his beliefs and his way of understanding life and follow the most basic instinct: the animal instinct.

Silvia visited Moscow in the late 1960s, during the Soviet regime's heyday. There, she saw the structuralist-designed complexes designed to house working-class families. Upon returning to Buenos Aires, she discovered that the same collectivist spirit was embedded in the buildings constructed by the El Hogar Obrero cooperative. Embracing the ideal of socialism, Silvia abandoned everything, including her husband and children, to move into one of these apartments and write a novel in which she planned to portray its more than 200 owners. Shortly after, she traveled to Italy, and her trail was lost forever. Half a century later, a niece found her manuscripts and decided to bring to life on film what had been left unfinished in literature, combining archival material with scenes of the current inhabitants.