Acting
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Bavaria's most laid-back cop returns, juggling parenting and working at the family farm with the reopening of a grisly cold case.
Even today, Mathias Kneißl (1875-1902) is considered a national hero in the collective memory of Bavaria. During his lifetime, he was the most wanted criminal in Bavaria and even Prince Regent Luitpold was reported daily on the hunt for the lawbreaker report. Again and again Kneißl's story has occupied the Bavarian artists: his life was retold in folk songs and murders, sung in ballads, filmed and treated in various plays. In his feature film version, the Bavarian filmmaker Marcus H. Rosenmüller relies on a rapid staging, opulent images and a moving love story.
When their little supermarket is threatened by bankruptcy, three shop assistants in rural Bavaria start their own phone sex line.
After the forcible transfer to his Bavarian home village, an ex-criminal cop investigates the death of a school principal who he thinks had lots to hide.
In the early 1930s, ten-year-old Alexander is determined to win his school's painting competition to impress his secret love, Lotte. By chance, he comes into possession of the glittering mother-of-pearl paint. However, its disappearance triggers a fierce battle between the A class and the B class.
In the idyllic Bavarian village of Himmelsheim, a peaceful existence is disrupted when the German Federal Railway plans to build a high-speed rail line through their town, necessitating a massive tunnel. The construction upheaval shakes the lives of the villagers, triggering old conflicts and new rivalries. Amidst this chaos, Toni, a spirited traveler with a video mobile, becomes entangled in a love triangle involving Petra and Jonny, a driller working on the project. While most of Himmelsheim unites against the railway, the wily winemaker and council member, Münzel, secures a solution.
Niedernussdorf is a small, tranquil village in Lower Bavaria, not far from Straubing. There has never been a murder here, not as long as the people of Niedernussdorf and their police chief Gisela Wegmeyer can remember. Suddenly, a severed male finger appears in the middle of the idyll. Florian Lederer, an ambitious young chief inspector from the Straubing police department, arrives on the scene. Lederer proves that the finger, which was carried through the village by a rough-haired dachshund, was originally bitten off by a pig. He assumes that an old man in Niedernussdorf was fed to pigs. Lederer is determined to solve the murder, while Gisela firmly believes it was an accident...
German ship captain Gottfried Hinrichs reluctantly retires to his Bavarian home, hoping to find comfort when his daughter Barbara moves back home, convenient now she has become a commercial pilot. So he dishes out the usual objections when she tells to have found her mate, while ma Lisbeth tries to shush. When the lovers turn up for Christmas Eve, a culture shock follows, for her dream prince is Palestinian unemployed would be-pilot Kamal Abu Khalil, and neither 'liberal' parent extends effective tolerance to Islamic in-potential laws. Ultimately Gottfried is worn down, but then the incompatible religious marriage norms seem to break up the couple itself. It gets even worse when his parents found out and fly in, while she feels neglected as Kemal starts an electronic muezzin Internet firm with a friend.
A series of short, absurd, humouristic episodes taking place in Passau, Bavaria. There is, among others, a documentary piece describing a drinking contest, a clerk's day-dreaming Hitler fantasies, a shy nun struggling to get oriented in a city (then turning into a pianist) during an orgy, a showmaster killing his guests with a thresher... All episodes are loosely glued together by a variation of always the same scene: an annoyed TV show / TV movie producer trying to convince both director and female main character that the last episode is unacceptable with respect to consumer needs and professional standards.