Fascinating journey through the life and work of the prestigious Catalan poet Jaime Gil de Biedma, both marked by sexuality and eroticism. Charismatic and somewhat eccentric, brilliant intellectual with extraordinary sensitivity and member of Barcelona's 'gauche divine' in the 60s, Gil de Biedma liked to describe himself as a 'poet of experience' while he suffered dreadfully from the dichotomy strangling him: bourgeois and executive for a multinational by day, communist and homosexual poet by night.

Fascinating journey through the life and work of the prestigious Catalan poet Jaime Gil de Biedma, both marked by sexuality and eroticism. Charismatic and somewhat eccentric, brilliant intellectual with extraordinary sensitivity and member of Barcelona's 'gauche divine' in the 60s, Gil de Biedma liked to describe himself as a 'poet of experience' while he suffered dreadfully from the dichotomy strangling him: bourgeois and executive for a multinational by day, communist and homosexual poet by night.

A city man receives a call from the woman he loved and embarks on a clandestine journey to reunite with her in an outlaw community settled on the top of a mountain. Two successive guides take him to his destination: the reunion with a story that he has not been able to forget.

A city man receives a call from the woman he loved and embarks on a clandestine journey to reunite with her in an outlaw community settled on the top of a mountain. Two successive guides take him to his destination: the reunion with a story that he has not been able to forget.

Documentary film about visual effects master Emilio Ruiz del Rio. From his early works on films at 1942, to his last contribution at 2007, Emilio Ruiz talks on his film experiences and traditional trickery, using foreground miniatures, glass shots, and painted cut out miniatures. It shows interviews with some of the professionals he has worked with, like, Rafaela de Laurentiis, Ray Harryhausen, Guillermo del Toro, or Enzo Castellari

Documentary film about visual effects master Emilio Ruiz del Rio. From his early works on films at 1942, to his last contribution at 2007, Emilio Ruiz talks on his film experiences and traditional trickery, using foreground miniatures, glass shots, and painted cut out miniatures. It shows interviews with some of the professionals he has worked with, like, Rafaela de Laurentiis, Ray Harryhausen, Guillermo del Toro, or Enzo Castellari

Ramon, a twelve year old visit a bicycle shop to fix a puncture. There he meets an old man named Mario, a former amateur cyclist, and was fascinated by a bike that just built with parts from different models. The old man decides to give it away.

Ramon, a twelve year old visit a bicycle shop to fix a puncture. There he meets an old man named Mario, a former amateur cyclist, and was fascinated by a bike that just built with parts from different models. The old man decides to give it away.

Since 1989 and until its prohibition by the Generalitat in autumn 1992, there was a sector called textile airbrushing; These were small companies that painted with pneumatic guns. Working conditions in these industries were insufficient. Furthermore, the products were mixed and used without warning of their danger. The gases released seriously affected the lungs.

A look at the life and work of Spanish filmmaker Mario Camus (1935-2021).