BAD BLOOD chronicles how a "miracle" treatment for hemophilia became an agent of death for 10,000 Americans.

For more than thirty years, and through his television program, Fred Rogers (1928-2003), host, producer, writer and pianist, accompanied by his puppets and his many friends, spoke directly to young children about some of life's most important issues.

“How do you make sense on an emotional, intellectual, and pragmatic level of the visual residue one leaves behind?” This is a pivotal question for Adam Pendleton’s recent abstract paintings on view here, which involve a process of accumulation in which the surface of the canvas teems with sweeping gestures, language, drips, splatters, and moments of erasure in a reflection of how we evolve in life. Pendleton has explained that these works “verge on the monumental; they can take months to make and capture a deep history of marks and impressions. Minor moments become major moments because of how they articulate who we are or who we might be at any given moment. It’s a visual poetics of disruption.” These paintings, Pendleton has suggested, ask: “how do you leverage, subvert, and deploy your subjectivity? We all are doing it all of the time. It becomes more interesting when we’re aware that we’re doing it.”

This film uses the Reagan administration's internal documentation to capture the surreal spectacle of American might at its apex.

This candid New York love story explores the chaotic 40-year marriage of famed boxing painter Ushio Shinohara and his wife, Noriko. Anxious to shed her role as her overbearing husband's assistant, Noriko finds an identity of her own.

Made in 1977 for German public television, a rare look at Harun Farocki’s films for children. Harun Farocki's twin daughters, Lara and Anna were also shown in this documentary.

An inside look into two years in the lives of Katy and John, Tea Party activists from Central Pennsylvania, as they fight to preserve the America they fear is slipping away.

Comprised entirely of archival footage taken during those pre-reality-television years, The Reagan Show looks at how Ronald Reagan redefined the look and feel of what it means to be the POTUS.

The poetics of repetition, as embodied by a South Brooklyn motel room. An experimental film by Sierra Pettengill, with poetry by Michael C. Peterson, for the Book Motel at MoMA P.S. 1.

Using over 100 years of archival footage, director Sierra Pettengill explores the history of the largest Confederate monument, Georgia’s Stone Mountain.