SUNU is a collaborative fashion short film on the new AW21 Project#9 SUNU from Antwerp based designer Jan - Jan Van Essche. The collective idea SUNU, meaning ‘our’ in the Wolof language, summarizes the sentiment of unity, fragility and inclusive interconnectivity. A sense of responsibility towards each other and what surrounds us. A solid bond, a strong connection, which needs to be cherished and praised but simultaneously guarded.

Nomad transports the audience to the desert: Eleven dancers incarnate its vast expanse in all its beauty and terror. An atmospheric piece by the Belgian choreographer Sidi Larbi Cherkaoui.

While the young people of Europe forsake Love to follow Bellone at war, Cupid sets out to shoot his arrows into the rest of the world. A masterpiece of the Enlightenment, Les Indes galantes is sparkling entertainment. Yet Rameau’s first opera‑ballet also bears witness to the Europeans’ ambiguous view of ‘savage’ cultures. The Belgian choreographer-director Sidi Larbi Cherkaoui adapts Les Indes Galantes to a contemporary setting, where globalisation has transformed the notions of exoticism.

As a country arms itself for war, a family tears itself apart. Forced to avenge his father's death but paralyzed by the task ahead, Hamlet rages against the impossibility of his predicament, threatening both his sanity and the security of the state.

As we, the world and all creation are experiencing a collective transition, a new future awaits us all. Space & time become utter necessities for the acceptance of a new state of being, while our wounds slowly heal. In all humbleness, the CYCLE collection offers an alternative to help us through the now. A bright red, encouraging life force and passion for creation... an ode to love. Smoothly textured fabrics with soft caresses, sensible colors chosen to highlight the new cycle we are entering. The elements are in constant rotation.

In the acclaimed SUTRA Sidi Larbi has collaborated closely with Turner Prize winning artist Antony Gormley and Polish composer Szymon Brzóska. Gormley’s striking set design and Brzóska’s beautiful score set the scene for this mesmerising show. The seventeen Monks performing in SUTRA are from the original Shaolin Temple, situated near Dengfeng City in the Henan Province of China and established in 495AD. In 1983 the State Council defined the Shaolin Temple as the key national Buddhist Temple and the Monks still follow a strict Buddhist doctrine, of which Kung-Fu & Tai Chi martial arts are an integral part of their daily regime.

In Mea Culpa, the Belgian-Moroccan choreographer Sidi Larbi Cherkaoui explores a shared sense of guilt that is passed on from generation to generation and continues to affect the present day. Inequality, discrimination, colonization and slavery are questioned from the perspective of both perpetrator and victim. The compositions of Heinrich Schütz, one of the key figures on the border between Renaissance and Baroque, are permeated by the same themes and put reconciliation first.

Like a Japanese print in the midst of an unstable, fluctuating world: with Ukiyo-e, Sidi Larbi Cherkaoui, recently appointed director of the Ballet du Grand Théâtre de Genève, offers a meditation on impermanence.

Aida, member of a Tunisian contemporary dance troupe touring Morocco, provokes during a representation in a small Middle Atlas town, her life and stage partner Hedi, who injures her onstage triggering a series of events through a long night across a forest, on the way to the next village's doctor.

In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.