Tokyo Olympiad director Kon Ichikawa documents the 50th anniversary of the Koshien games.

Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Lelouch's take on Olympic losers and their struggle to remain dignified even in the face of bitter disappointment and defeat; Zetterling's dramatic exploration of the world of weightlifting; and Pfleghar's piece on young Russian gymnast Ludmilla Tourischev's majestic performance on the uneven bars.

Renowned Japanese poet Shuntaro Tanikawa teams with former "rock chick" Wakako Kaku to craft this pensive love story told almost entirely in still photographs. After steering a suicidal man away from the brink of despair, an astronomical observatory worker teaches him her favorite watchword, "Yah Chakya!" ("I, Seagull"). The phrase had once been spoken by the first female cosmonaut, and was the call-sign for the Soviet spacecraft Vostok. But for this woman, the word has taken on greater meaning; not only is it a greeting, but a secret handshake and a symbol of the universe as well. Upon learning the phrase, the man finally finds the strength to go on living.

Renowned Japanese poet Shuntaro Tanikawa teams with former "rock chick" Wakako Kaku to craft this pensive love story told almost entirely in still photographs. After steering a suicidal man away from the brink of despair, an astronomical observatory worker teaches him her favorite watchword, "Yah Chakya!" ("I, Seagull"). The phrase had once been spoken by the first female cosmonaut, and was the call-sign for the Soviet spacecraft Vostok. But for this woman, the word has taken on greater meaning; not only is it a greeting, but a secret handshake and a symbol of the universe as well. Upon learning the phrase, the man finally finds the strength to go on living.

A documentary Ichikawa made for the 1970 Osaka Expo, originally made for projection on eight split panels.

A Japanese girl and a French boy make strides in overcoming the cultural barriers that prevent them from fully expressing the love they have for one another.

This remarkable compilation follows an exchange of video letters that took place between Shuji Terayama and Shuntaro Tanikawa in the months immediately preceding Terayama's death. It can be thought of as a home video produced by two preeminent poets and inter-laid with highly abstract philosophizing, slightly aberrant behavior and occasionally flamboyant visuals.

This remarkable compilation follows an exchange of video letters that took place between Shuji Terayama and Shuntaro Tanikawa in the months immediately preceding Terayama's death. It can be thought of as a home video produced by two preeminent poets and inter-laid with highly abstract philosophizing, slightly aberrant behavior and occasionally flamboyant visuals.

This impressionistic portrait of the 1964 Tokyo Summer Olympics pays as much attention to the crowds and workers as it does to the actual competitive events. Highlights include an epic pole-vaulting match between West Germany and America, and the final marathon race through Tokyo's streets. Two athletes are highlighted: Ethiopian marathon runner Abebe Bikila, who receives his second gold medal, and runner Ahamed Isa from Chad, representing a country younger than he is.

This extraordinarily complex film is not only a send-up of every samurai film ever made, it is also an extrapolation of the value of life. The Yamatai, represented by Prince Susano-O and elderly advisor Sumuke, hire Yumihiko of Matsuro to hunt the phoenix so that Queen Himiko, sister of Susano-O can have eteranal life.