The eruption of Mt. Fuji in 1707 released hordes of demons from deep inside the earth. Sakuya, the young daughter of a samurai killed fighting these demons, accepts a mission to travel to Mt. Fuji and defeat the evil spirits. Accompanying her on her journey are two veteran warriors who served her father, and Tarō, a young kappa, or river spirit, whom she has adopted as her little brother. Along the way, the two warriors have doubts about Tarō’s loyalties, and the young kappa himself must decide if he will stand with his own species or with the humans who have cared for him.

High school girl Madoka may look pretty and cute, but there is another side to her. She can exact revenge, land a good punch or a kick and not care about limits. She opts to inflict pain, coerce and blackmail a virgin when she is sensually touched on the train. She begins making his life hell.

The film tells the bittersweet love life of a group of young men who could not be more different from each other: Ryuji is a teenager passionate about rugby, Akira is a beautiful and popular kabuki actor, and Yutaro is the son of a yakuza leader. Their paths come across after they fall in love with the aspiring actor Makoto Hayakawa

Veteran filmmaker Nobuhiko Obayashi rounds out the second of his two trilogies about his hometown of Onomichi with this film about the budding relationship between a young lad and an eccentric old man. Fifth-grader Yuta (Takuro Atsugi) is a typical city child looking forward to a summer of reading comic books and playing video games. Instead, he is bundled off to his grandparent's house on the Inland Sea. His grandfather, Yuta's parents explain, has been acting strangely as of late -- he eats the offerings in the family altar and once tried to lead attendants at a funeral in a rousing round of calisthenics. Since his mother and father are swamped with work, and his elder sister (Nana Sano) is studying for college entrance exams, Yuta has been asked to look after Grandpa. The old man takes Yuta on a tour of Onomichi, regaling him with 70 years of its history. Along the way, Grandpa slips in and out of the past, increasingly unable to discern between the two.

The writer and college professor, Alexandre Fayard, researches and gives lectures about the gruesome literary work of the mysterious Japanese writer Shundei Oe, considered by him to be the master of manipulation.