A woman who has owned a barbershop for over 40 years determines to embark on a long journey to cut the hair of an old customer who has moved away and is too sick to travel.

Chun Hua, who has been away from home for years after cutting her father off, receives the news of her grandfather's death and has no choice but to return home with her daughter for the funeral. Her father, whom she hasn't seen in years, is as cold and rude as ever, and doesn't look kindly on them. And when night falls, the family seems to be hiding more horrible secrets.

At a fishing village, plans for the expansion of a nearby oil refinery cause a big stir, triggering a three-way power struggle between an old protester, villagers, and factory representatives.

On his 18th birthday, Jan Wen shoots randomly at the crowds in a night market for unknown reasons. The tragic incident causes a strong impact on the lives of his family and friends, the victims and the witnesses. However, if there was a chance for them to make different choices, would the tragedy still happen? Will it be a different outcome if they all changed their behaviour at the crucial moment?

When ghosts must compete to survive in the underworld by haunting the living, one unassuming young woman needs help creating a lasting performance while under the tutelage of a passionate agent and a washed-up diva.

Three students from Jing Mu Girls’ Middle School go missing and turn up dead. Xiao Tong, a special education student with speech impairment, feels like someone is watching her. During the rehearsal for the school’s foundation day event, a corpse falls from the ceiling of the auditorium, and Xiao Tong disappears in the midst of confusion. Her mother, Li Han, who has been working at the school to be close to Xiao Tong, begins her pursuit.

This spectacularly eccentric satire by Su Hui-Yu draws on 1970s Taiwanese TV culture and has a roller-skating Hitler dance with Stalin and Mao do the same with Chiang Kai-shek. A revue show of dictators in cahoots with the entertainment industry.

In the early 1980s, hundreds of the so-called female revenging/exploitation films were produced in Taiwan. The 2020 version was based on the old genre to recreate a fantasy of the bloody revenge. The film is one of Su Hui-Yu’s “Re-shooting” series, which re-visits historical sources in Taiwan during the old days around the 1970s-1980s while the country was under martial law governance.

Liu Hui is a widower whose son lives in America. She insists on living alone in the house she shared with her late husband, a calligrapher, and is surrounded by fond memories. As she gradually joins community activities, she strikes up an acquaintance with the kind and shy building caretaker who faces a quandary over a stray cat. Small moments together reveal loneliness and companionship.

Ching-Chun, Nguyễn and Mei are both international students from Vietnam to Taiwan; however the reality is so different from what was anticipated. There seems to be no differentiation between international students and migrant helpers. Determined to have a different path, Ching-Chun, Nguyễn tries to transfer schools in hopes of a better opportunity and future; nonetheless, all in vain.