A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas’ “Hallelujah the hills” (1962), it’s an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics – parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.

In this hilarious crime comedy, a gifted 12-year-old boy and three elderly men plan a bank robbery in order to seek revenge on the institution for cheating the youngster after the death of his father.

Two small men fight for a small woman’s affections. When one of them eventually wins her over, he is suddenly snatched up by a large woman and ends up drowning in her cleavage.