This 150-minute documentary, directed by Nobuhiko Ôbayashi on the set of Akira Kurosawa's Dreams, features behind-the-scenes footage and interviews with cast and crew.

A businessman kills his adulterous wife and is sent to prison. After his release, he opens a barbershop and meets new people, talking to almost no one except for an eel he befriended while in prison.

Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.

Eight visually rich vignettes drawn from Kurosawa’s own dreams—fox weddings and vanished orchards, a soldier’s ghosts, a walk through Van Gogh’s canvases, nuclear nightmares, and a water-mill utopia—meditate on childhood, art, mortality, and humanity’s uneasy bond with nature.

Biographical story, based on life of Ino Tadataka, a Japanese measurer and cartographer. Ino Tadataka travelled the length and breadth of Japan on foot for 17 years from the age of 55 to perform his surveys. The accuracy of his maps also owed much to the fact that he was the first surveyor in Japan to combine measurements on the ground with observations of the heavens. Ino started the work as a private individual but earned the confidence of the Shogunate and it eventually turned into a national project. His maps were later used for many years as the foundation for maps made by modern survey techniques.

The movie depicts the interaction between a childless middle-aged couple and a small dog.

Jubei is a Japanese merchant who learns tricks from Western merchants to get ahead in the game.

The film depicts carnivalesque atmosphere summed up by the cry "Ei ja nai ka" ("Why not?") in Japan in 1867 and 1868 in the days leading to the Meiji Restoration. It examines the effects of the political and social upheaval of the time, and culminates in a revelrous march on the Tokyo Imperial Palace, which turns into a massacre. Characteristically, Imamura focuses not on the leaders of the country, but on characters in the lower classes and on the fringes of society.

An elderly Nagasaki hibakusha spends a summer caring for her four grandchildren, whose curiosity about the 1945 bombing stirs buried memories and moral questions. When an American nephew from Hawaii visits, the family confronts grief, guilt, and the possibility of reconciliation across generations.

Toru grew up in alpine countryside around Mount Tate. As a child, he resented the yearly trek up the mountain with his father to prepare their mountain hut for the summer season of climbers. When Toru grows up, he leaves his hometown and enters the working world as a stock trader. One day, Toru receives word that his father has passed away. He returns to Mount Tate once again, and becomes conscious of a new calling. But, does Toru have what it takes to follow in his father’s footsteps?