JSDF pilot Akane has a fateful encounter when a new Godzilla emerges in Tateyama. As a countermeasure, a cyborg named Kiryu is constructed from the remains of the original. The machine is discovered to harbor the restless soul of the original monster as Akane must learn to find value in her own life as well.

The story follows Mamoru Masaki, a resort developer, and Koai, a career woman at a rival company. The appearance of Masaki, who does not live in work and in love, gradually loosens up.

Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.

Set two years after the events of Ultraman Trigger, an ultra-ancient threat re-emerges, leading to the return of Ultraman Trigger and Ultraman Zett to save the day, but all is not as it seems.

Takeshi Yasui, a junior high school student is found dead in a river. The police investigate it as a murder related to bullying. The dead boy turns out to have been murdered by two of his schoolmates, who he had been bullying.

Second Fuusen movie that has absolutely nothing to do with the prior Fuusen movie.

A murder occurs of a promising high school baseball player. His younger brother Shinya becomes the prime suspect. Private detective Koichiro is hired by their father, Saburo Moroka. To prove Shinya's innocence, Saburo, Koichiro, and Koichiro's pet dog Masa work to uncover the real killer's identity. At the same time, there is a case at a giant drug company named Mitsutomo Pharmaceuticals. Yuki bears a grudge against the company for prior inspection methods used over newly developed drugs. Yukie then threatens the company. Company president Kouta orders Kihara to resolve the problem discreetly. The more Kihara learns of the situation, the more hesitant he becomes about how to handle the situation. Finally, these two seemingly disparate cases cross paths, and a shocking truth emerges...

Takeshi Hashimoto, on the brink of turning 30, struggles with insomnia. He finds himself repeatedly dreaming the same dream. Despite seeming to have a successful career and personal life, Takeshi feels stifled and stuck in his current existence. When his close friend and colleague, Saeki, offers him some advice, Takeshi decides to try changing his approach to life. However, the next day, Saeki suddenly takes his own life, leaving Takeshi even more bewildered. Out of the blue, a girl named Sai and a mysterious man named Hōsaku—whom Sai calls her brother—appear in Takeshi's life. Their natural and intriguing presence helps Takeshi slowly reconnect with himself. One day, after receiving a promotion offer, Takeshi decides to turn it down after much thought. “I want to change the way I’m working…” he says. As he begins to notice small changes within himself, he starts to forge his own path.

Katayama is on the way home to his wife and little daughter when he comes across a gang of punks beating up an innocent man. Katamaya decides to help the stranger and surprisingly wins the fight. This turns out to be a bad decision.