"Kemo gedolim" is a collection of well known Israeli, children songs sang by Ariḳ Ainshṭain and others. In between the songs embedded short skits starring Moni Moshonov and Tsevi Shisel , who embody two porters hauling a giant crate up a winding staircase and unexpectedly run into Ariḳ, a group of kids, jugglers, clowns and storytellers emerging from the crate. The two, try to do their job faithfully but occasionally they also try to sing, dance and play, which creates a variety of funny moments.

Shimon, a 70-year-old widower, travels to Paris to visit a childhood friend. He stays with his daughter and discovers that her marriage is falling apart. He decides to help. In the process, he finds out that he and his daughter share both dreams and desires of which they had been previously unaware.

A highly successful lawyer realises, after a cardiac warning, that he may have squandered his life when he left his first wife and all the ideals of youth she stood for, to marry a neurotic poet and join the rat race for money & success.

In a Jewish Orthodox village in Israel, Tamar, a twelve-year-old girl, prepares for her Bat-Mitzvah (confirmation), which will take place on Passover. Becoming convinced that she is impure, and growing increasingly scared and depressed, she forces herself into an endless ritual of cleaning, while attempting to silence the whispering inner obsessional thoughts that are detailing every inch of her relentless guilt, over and over again. To make matters worse, Tamar's only friend, Rachel, lures her into sinful mischief: peeping into the Mikveh (bath house), turning a light on during the Sabbath. The girls even dare to secretly bathe at the Mikveh when Tamar gets her first period. Will Tamar succumb to her fears? A dark and unflinching portrayal of Obsessive-Compulsive Disorder and the inner turmoil of an adolescent girl.

A comedy about changes in the life of Israeli family after they get a cable TV with a lot of channels.

A young girl and her mother both carry the scars of their experiences during the holocaust in this drama from Israel. In 1951, Aviya is a ten-year-old girl being raised by her single mother, Henya, in a small village in Israel. Henya is a survivor of a Nazi concentration camp, and has come out of the experience considerably worse for wear; she's haunted by the memories of her past, and has become emotionally unstable. Circumstances for her and her daughter are hardly improved by the poverty of the newly wounded state of Israel, and their own difficult economic circumstances. Aviya, meanwhile, is obsessed with finding her missing father, and wonders if he might be the man who has just moved into their village. Henya, however, knows better, and knows why Aviya's father is never coming back to them.

Little Benjamin and Margalit are raised in the boondocks of Israel by their long-suffering mother, but they have in them something of their father, who can't stay in a place with no prospect of riches and excitement.

In ha-Argazim, a neighborhood that time forgot, the one-year anniversary of Morris Mandabon's death is approaching, and his youngest son, Nissim has had a dream in which his father orders him to re-open the old neighborhood movie theater, thus breaking the vow that Morris had made years before never to screen movies again. Nissim and his brother George, together with Aharon Gabardine, who was the projectionist back in the old days, are determined to fulfill Morris' request. The same day Nissim has his dream, Avram Mandabon, Morris' brother, returns for his brother's memorial after a 25-year absence. His reappearance causes old family feuds to resurface.

A weekend in the life of a field nurse at the height of the 1973 Yom Kippur War takes her from the frontlines to her home in Tel Aviv and back.

The world of a young woman explored through a cinematic stream-of-consciousness foray.