Jerry Bock, Sheldon Harnick and Joseph Stein talk about creating the songs for "Fiddler on the Roof".

Amalia and Georg work together at a modest Hungarian perfumerie, and have disliked each other from the very beginning. He thinks she's stuck up, and she thinks he's arrogant and mean. But each rapturously writes to a lonely hearts pen pal when the workday is done, and it doesn't take long for the audience to see that they're in love without realizing it. Originally live-streamed by BroadwayHD, then broadcast as an episode of the PBS series "Great Performances" (season 45, episode 3).

The story focuses on a family of anthropomorphic rabbits, the widowed mother rabbit cautioning her young against entering a vegetable garden grown by a man named Mr. McGregor, telling them: "your Father had an accident there; he was put in a pie by Mrs. McGregor". Whereas her three daughters obediently refrain from entering the garden, going down the lane to pick blackberries, her rebellious son Peter enters the garden to snack on some vegetables. Peter ends up eating more than is good for him and goes looking for parsley to cure his stomach ache.

Special 50th anniversary recording of the Tokyo Imperial Theater production of the Fiddler on the Roof. Set in the little village of Anatevka, the story centers on Tevye, a poor milkman, and his five daughters. With the help of a colorful and tight-knit Jewish community, Tevye tries to protect his daughters and instill them with traditional values in the face of changing social mores and the growing anti-Semitism of Czarist Russia.

A one woman show written and performed by Kayla Capone Kasper where she auditions for the role of a lifetime, Laura Benanti.

The Musical with music by Jerry Bock, lyrics by Sheldon Harnick, and book by Joseph Stein, set in the Pale of Settlement of Imperial Russia in or around 1905. The story centres on Tevye, the father of five daughters, and his attempts to maintain his Jewish religious and cultural traditions as outside influences encroach upon the family's lives. He must cope both with the strong-willed actions of his three older daughters, who wish to marry for love (each one's choice of a husband moves further away from the customs of their Jewish faith and heritage) and with the edict of the Tsar that evicts the Jews from their village.

Amalia and Georg work together at a modest Hungarian perfumerie, and have disliked each other from the very beginning. He thinks she's stuck up, and she thinks he's arrogant and mean. But each rapturously writes to a lonely hearts pen pal when the workday is done, and it doesn't take long for the audience to see that they're in love without realizing it. Originally live-streamed by BroadwayHD, then broadcast as an episode of the PBS series "Great Performances" (season 45, episode 3).

Amalia and Georg work together at a modest Hungarian perfumerie, and have disliked each other from the very beginning. He thinks she's stuck up, and she thinks he's arrogant and mean. But each rapturously writes to a lonely hearts pen pal when the workday is done, and it doesn't take long for the audience to see that they're in love without realizing it. Originally live-streamed by BroadwayHD, then broadcast as an episode of the PBS series "Great Performances" (season 45, episode 3).

New Faces was a musical revue with songs and comedy skits tied together by a quirky plot. It ran on Broadway for nearly a year in 1952 and was then made into a motion picture in 1954. It helped jump start the careers of several young performers including Paul Lynde, Alice Ghostley, Eartha Kitt, Carol Lawrence, performer/writer Mel Brooks (as Melvin Brooks), and lyricist Sheldon Harnick. The film was basically a reproduction of the stage revue with a thin plot added. The plot involved a producer and performer (Ronny Graham) in financial trouble and is trying to stave off an angry creditor long enough to open his show. A wealthy Texan offers to help out, on the condition that his daughter be in the show.

New Faces was a musical revue with songs and comedy skits tied together by a quirky plot. It ran on Broadway for nearly a year in 1952 and was then made into a motion picture in 1954. It helped jump start the careers of several young performers including Paul Lynde, Alice Ghostley, Eartha Kitt, Carol Lawrence, performer/writer Mel Brooks (as Melvin Brooks), and lyricist Sheldon Harnick. The film was basically a reproduction of the stage revue with a thin plot added. The plot involved a producer and performer (Ronny Graham) in financial trouble and is trying to stave off an angry creditor long enough to open his show. A wealthy Texan offers to help out, on the condition that his daughter be in the show.