Two small-time actors debate the merits of watching the credits at the end of a Hollywood flick. They discover that with the right attitude, the uninspired crawl of anonymous names can be transformed into a life-affirming parade of comradeship. Who knew that credits could be so cathartic?

Alone in his college dorm room, a young man struggles with his family's reaction when he is pressured into coming out to them over the telephone. Damian sinks into depression as he realizes that both he and his family have an arduous journey ahead if they are to heal old wounds and accept his sexuality. Coming to Terms demonstrates how denial and blame can damage relationships and is an excellent video for youth, counselors and families.

Alone in his college dorm room, a young man struggles with his family's reaction when he is pressured into coming out to them over the telephone. Damian sinks into depression as he realizes that both he and his family have an arduous journey ahead if they are to heal old wounds and accept his sexuality. Coming to Terms demonstrates how denial and blame can damage relationships and is an excellent video for youth, counselors and families.

Alone in his college dorm room, a young man struggles with his family's reaction when he is pressured into coming out to them over the telephone. Damian sinks into depression as he realizes that both he and his family have an arduous journey ahead if they are to heal old wounds and accept his sexuality. Coming to Terms demonstrates how denial and blame can damage relationships and is an excellent video for youth, counselors and families.

A young man heads out to the prairies with an unusual itinerary.

When Spencer urges his unsuspecting friend, Aaron, to watch Salo, Pasolini's profoundly disturbing 1975 film, the horrifying experience rips into Aaron's sense of security and morality. Confused, betrayed, and disgusted, Aaron asks of his friend, "Why did you show that to me?" But Spencer's motives are much too complex for words.

A young man heads out to the prairies with an unusual itinerary.

When Spencer urges his unsuspecting friend, Aaron, to watch Salo, Pasolini's profoundly disturbing 1975 film, the horrifying experience rips into Aaron's sense of security and morality. Confused, betrayed, and disgusted, Aaron asks of his friend, "Why did you show that to me?" But Spencer's motives are much too complex for words.

A young man heads out to the prairies with an unusual itinerary.

When Spencer urges his unsuspecting friend, Aaron, to watch Salo, Pasolini's profoundly disturbing 1975 film, the horrifying experience rips into Aaron's sense of security and morality. Confused, betrayed, and disgusted, Aaron asks of his friend, "Why did you show that to me?" But Spencer's motives are much too complex for words.