Four young thrill-seekers (Erin Cahill, Andrew Walker, Alexia Barlier) race cars on the streets of Germany.

TUGS: A Bigg Retrospective is the definitive film telling the story of how the 1989 cult classic series 'TUGS' was brought to our TV screens, and how it survived beyond its premature end.

The tale begins when a brother and sister are separated in a shipwreck, but survive to be washed up on the shore of Illyria. The sister, Viola, disguises herself as a man and takes service with Duke Orsino, who has fallen in love with Lady Olivia. Entrusted with pleading on her master's behalf, Viola is utterly disconcerted to find that Olivia has fallen in love with her. Thus begins the confusion of this delightful comedy.

A dramatization of incidents involving Eddie Horner, a factory worker active in union politics radicalized to murder.

A London man who loses his memory when he's struck by a falling object develops a way to reconstruct his past.

It's two years since the mysterious disappearance of Kath Swarbrick's older sister Annie, but Kath remains haunted by a need to know what happened. When police investigations wind down, Kath continues the search herself. She gets nowhere until she steals some CCTV footage of her sister on her final day. Visiting the spot where Annie was filmed, Kath becomes convinced she has found a portal to another reality and from this portal Kath is trying to say something.

In 1415, in the midst of the Hundred Years' War, the young King Henry V of England embarks on the conquest of France.

Victor Frankenstein is a promising young doctor who, devastated by the death of his mother during childbirth, becomes obsessed with bringing the dead back to life. His experiments lead to the creation of a monster, which Frankenstein has put together with the remains of corpses. It's not long before Frankenstein regrets his actions.

Out of work actor Joe volunteers to help try and save his sister's local church for the community by putting on a Christmas production of Hamlet, somewhat against the advice of his agent Margaretta. As the cast he assembles are still available even at Christmas and are prepared to do it on a 'profit sharing' basis (that is, they may not get paid anything) he cannot expect - and does not get - the cream of the cream. But although they all bring their own problems and foibles along, something bigger starts to emerge in the perhaps aptly named village of Hope.

A middle aged carpenter, who requires state welfare after injuring himself, is joined by a single mother in a similar scenario.