At the age of 12 Shauly receives his first camera. 14 years later he finds the recordings. From his mature perspective, Shauly returns to the child he once was, to his cinematic attempts and to his biggest secret which only the camera caught.

At the age of 12 Shauly receives his first camera. 14 years later he finds the recordings. From his mature perspective, Shauly returns to the child he once was, to his cinematic attempts and to his biggest secret which only the camera caught.

An intimate and unexpected night evolves between Hagar, a female taxi driver, and an ultra-Orthodox young man, who she picks up.

An intimate and unexpected night evolves between Hagar, a female taxi driver, and an ultra-Orthodox young man, who she picks up.

Four LGBTQ adults re-encounter the home video footage they shot of themselves as youths: Shauly explored his homosexuality; Tom faced his gender identity; Betty filmed her friends and lovers; Rumia discovered her roots in drag.

Michal Ben Horin reveals her childhood secrets. Through a personal film archive in which she holds private conversations with the world’s most psychopathic criminals, including Charles Manson, Richard Ramirez – The Night Stalker who murdered 18 people, Lynette Fromme – a member of the Manson family and the woman who tried to assassinate President Ford, and more. Michal asks them questions she couldn’t ask her stepfather, Motke Keddar, a Mossad agent who murdered his informant and became known as prisoner X, but for Michal he is the man who hurt her, and the biggest psychopath of all. The filmmaker embarks on a 30 -year journey in which she wants to understand the dangerous madness behind the stamp of genius and logical proficiency of her stepfather.

Ben and Raz are painstakingly pursuing their desire to have a child, and the migrant neighbourhood where this gay couple has set up their new flat is on the up. But a conflict over a newly planted tree in the city brings deep-seated prejudices to light.

Based on the diary of a hostage, a forgotten heroine who acted as an intermediary between members of Fatah and the IDF, this is a gripping inside account of the terrorist attack on the Savoy Hotel in Tel Aviv in 1975.

While he was alive, Amos Guttman remained a red flag for the notoriously conservative Israeli film establishment. A Romanian migrant, he, never truly found his place in his new home. He was gay and made the nation's first movies on the subject. He was an artist who wanted to make films not for the masses but for the few. Conversely, he wanted to make movies that connected with the rest of the world and not only Israel – works that maybe Derek Jarman or Pedro Almodóvar could watch by chance and feel understood.

Tom is a teenager who lives with his single mom in a small southern Kibbutz, and deals with his (and other’s) sexuality.