Desperate to provide a comfortable life for her children, Ina willingly takes all kinds of jobs available to her. But what happens when Ina's family continues to fall apart despite all her sacrifices?

A 2002 Filipino social drama starring Sunshine Dizon, Joko Diaz, Bobby Andrews, and Paquito Diaz.

Faced with Philippine President Rodrigo Duterte’s bloody murders and brazen lies, ethically conflicted police lieutenant Hermes Papauran continues his struggle to find a resolution to a 15-year-old case around a volcanic ash-laden landscape and an impenetrable lake.

On The Job is about the ambitions and passions of four men trying to make a living, for themselves and their families. It shows the parallels between two prison inmates who are contract killers, and the two agents of the law investigating the murders. As they get caught in a web of machination of corrupt government officials, their jobs lead them on a head-on collision against each other with their loved ones as collateral damage.

Happy Hearts is about true love between a young man and a young woman, a son's love for his father, a father's love for his son, and true love between a man and a man. Alvin (Rayver Cruz) returns to the Philippines with her mom Sarah (Jean Garcia) to visit his father, Enrico (Rustom Padilla) a respected professor of an exclusive university for boys and his godfather Louie (Wendell Ramos), a sing-along master and who happens to be Enrico's live-in partner. Alvin falls in love with Kristine (Shaina Magdayao), a rich and talented girl who lives under the strict hand of a very influential father (Tirso Cruz III). Can love survive the odds? Will Alvin fight for his true love? Will the man get to keep his romance with the man? Will everybody's hearts indeed be happy?

The movie follows a group of teenagers that are terrorized by an evil spirit. The film revolves around the traditional Filipino belief that one should never go home directly after visiting a wake since it risks bringing evil spirits or the deceased to one's home.

Three siblings Danny, Art and Grace are now well settled with their respective families, in widely contrasting lifestyles. The one common thing that binds them loosely together is the love that their mother Dolores "Loleng" Rosales holds for all of them and her grandchildren, albeit expressed in varying ways and degrees, but always equally nurturing and self-giving. Much as they are held together by her, they are in turn separated by physical distance and the sad legacy left behind by their deceased, erstwhile strong-willed, patriarchal father.

After 10 years working as a supervisor for an oil drilling firm in Saudi Arabia, Oca (Jinggoy Estrada, in a somewhat restraint performance) returns to the Philippines to visit his family. The film opens with his wife (Lorna Tolentino), best friend (Bayani Agbayani) and dotting mother (Vangie Labalan) waiting patiently for Oca's arrival at the airport. We are then introduced with the rest of the star studded cast, as Oca visits his house, where he meets up with his estranged kids (Shaina Magdayao, Arron Villaflor, Julian Estrada), and parents in loss (in-laws), which shows no affection whatsoever towards him. Only his drinking buddies, mother, and sister, are excited on his return, only because they see him as a prized cash cow. Jose Javier Reyes revisits his movie, Bayarang Puso (1997), in a cheese filled dance sequence, Oca drunk as ever grooves with no pretension. This and other embarrassing situations tears the family slowly apart.

The children of the Salazar family have been pursuing separate lives in the recent years. After a few years of not being together as a whole family, they find themselves reuniting when CJ announces his plan to marry Princess, his girlfriend for three months. Much to their shock and dismay, CJ's sisters come together for the wedding and have agreed to dissuade him from marrying his fiancée.

Still grieving from the death of her mother, young Abigail finds a half-buried ragged doll on a burial mound in the cemetery. Her older sister, Anna, begins to experience strange occurrences in their household upon bringing the doll home. Believing it was her "Mama Doll", Abigail refuses to throw it away.