A detective breaks all rules of ethical conduct while investigating a colleague’s involvement in drug pushing and Yakuza activities.

As a decades-old state-run aeronautics munitions factory in downtown Chengdu, China is being torn down for the construction of the titular luxury apartment complex, director Jia Zhangke interviews various people affiliated with it about their experiences.

Four people in different provinces are driven to violent ends: An angry miner is enraged by corruption in his village. A migrant discovers the possibilities of owning a firearm. A receptionist is pushed beyond her limits by an abusive client. A young factory worker goes from one job to the next.

Ami, haunted by recurring apparitions, embarks on a journey from Singapore to Japan in search of her missing mother. Amidst the transforming landscapes, Ami's dreams, hauntings and lost mother unveil their true form.

Father of little Olzhas is killed by horse thieves on the day he goes to a market. Now, his mother decides to move back to her hometown with him and his little sisters together with the horses the father has left behind. A strange man shows up on their door asking to meet Olzhas for once, and volunteers to help their move.

Sidonie Perceval, an established French writer, is mourning her deceased husband. Invited to Japan for the reedition of her first book, she is welcomed by her local editor who takes her to Kyoto, the city of shrines and temples. As they travel together through the Japanese spring blossoms, she slowly opens up to him. But the ghost of her husband follows Sidonie: she will have to finally let go of the past to let herself love again.

At the end of the 19th century, Shanghai is divided into several foreign concessions. In the British concession, a number of luxurious “flower houses” are reserved for the male elite of the city. Since Chinese dignitaries are not allowed to frequent brothels, these establishments are the only ones that these men can visit. They form a self-contained world, with its own rites, traditions and even its own language. The men don’t only visit the houses to frequent the courtesans but also to dine, smoke opium, play mahjong and relax. The women working there are known as the “flowers of Shanghai”.

Sukezo, a former manga comic artist, takes up the art rock business by setting up a shop in a shed by the river. He tries hard to be successful, but business does not go well and the family becomes progressively poorer.

Soon after he lands in America, Ali, a Muslim man from Pakistan, begins his search for his estranged wife, Nadia. On his journey, Ali meets with Teppei, a Japanese traveller hitchhiking his way across America, and Sarah, a local trailer park girl, who help him in his search. The three travellers succeed in finding Nadia, who, to Ali’s dismay, is living a new life in Phoenix with another man. Ali spends the rest of his stay in America with Teppei and Sarah, anxiously wondering where his life is leading. In the brief time they are together, the three companions commit to helping one another. Ali, Teppei and Sarah begin a new journey, to find their own individual identities and in the process they find each other. Big River is a road movie, a tale about the borderless realm of friendship and its ability to transcend culture.

Divorced salaryman Yoji has just buried his mother in Tokyo. With few meaningful relationships left, he comes to grips with the realization that he has nothing to live for. A chance encounter with Minerva, a Filipina migrant worker who appears to sense his sadness, urges him to see his situation in a new way. A former nightclub entertainer, Minerva now works as a caregiver to provide for her only child in the Philippines. When Yoji discovers the decomposing corpse of his neighbor, an old man whose name he does not know, the death is ruled a kodokushi, or the lonely death. Unwilling to meet the same fate, Yoji throws caution to the wind to follow Minerva to Manila, the capital city of the Philippines.