Arzu ile Kamber, another film shot by Lütfi Ömer Akad alongside Tahir ile Zühre in Iraq, is one of Akad's attempts at fairy-tale historical films. In folk literature, the story of Arzu ile Kamber, like those of Tahir ile Zühre, Leyla ile Mecnun, and Ferhat ile Şirin, is a tragic love story passed down from generation to generation, so heartbreaking that it inspired elegies to be written in their names. Arzu ile Kamber, the first film adaptation of this story about the love between Kamber, the son of a merchant, and Arzu, the daughter of a subaşı, is a fairy-tale-like story that recounts the past.Arzu ile Kamber, one of two films shot by Lütfi Ömer Akad in Iraq over a period of six months with a large crew, is another of Akad's "failed but useful experiments," like Tahir ile Zühre.

A melancholy man meets a stunning, mysterious woman while he is traveling, and discovers she may or may not be involved in a prostitution ring. She disappears after their relationship lasts a few days, and though he searches for her, those around him pretend not to know who he is speaking of.

Two friends attempt to robbery.

During the years of the National Struggle, Aliye, an idealistic teacher who goes to an occupied town in Anatolia, wages a battle for enlightenment against both the occupying forces and the ignorance of the local people, fueled by bigotry and self-interest.

Üç tekerlekli bisiklet (Tricycle aka The Three-Wheeled Bicycle, I962) is a love story about a lonely woman with a small child and the man she hides in her house, who is chased and trapped, one of the staple motifs of Lutfi Akad’s cinema.

Framed for a killing, a teenager takes refuge in a farm house.