The story of Fadime, who works in a tent theater, and the scruffy-looking young man who joins them, who is actually a famous writer.

Ertem Egilmez's period drama about National Forces in the Turkish War of Independence.

Young people who come together for revenge begin to be affected by each other. Young people resort to all sorts of ways to overcome their father's hostility.

Tanju is an outlaw. His father and wife live in the village. The village chief kills Tanju's brother and then kills Tanju's family. Hülya, the chief's daughter, hears about this and is kidnapped by Tanju. She then agrees to take revenge and joins forces with Tanju.

Kilink is between 2 rival gangs and manages to turn one against the other. All of them are after a precious microfilm and a big foreign treasure. Kilink proves to be the most perfect Fantomas of them all, changing disguises more often than he changes socks. At the same time, it's raining gorgeous ladies all over the place. Most of them rivals....All of them falling for him or off balconies, pushed by him. In a brilliant sequence, he punches a treacherous pussycat, strangles her with his bare hands and chucks her off a balcony. The film features the classic torture-the-tied-woman scenes. In one of them, even a snake is used for a quicker confession. Endless shootouts, car chases, murders, beat ups and plot twists make this sequel one of the best Turkish auctioneers ever.

Rajon Cafer, a clumsy hotel bellboy, is in love with Elif, a fellow hotel employee. When the notorious gangster Şeytan Cafer, who bears a striking resemblance to Rajon, escapes from prison and checks into the hotel with his lover Leyla, a series of comedic misunderstandings ensue, leading to chaos and confusion among the hotel staff.

Turkish adventure crime movie.

Police officer Burhan arrests Recep, a member of a drug trafficking gang. Recep is released after a false witness contradicts Burhan’s evidence, leading to Burhan’s reassignment to a small village. There, he becomes romantically involved with Sevtap, a belly dancer he knew from the capital.

After the release, Iki Gemi Yanyana (Two Ships Side by Side) stirred controversy over its treatment of lesbians, showing two women kissing each other on the lips (later, in Dul BirKadın (A Widow), director Atıf Yılmaz took up the same theme again). This scene creates a moment of interest in this otherwise conventional film.