This is one of the tragicomic films of Kemal Sunal who is most "serious-comic" artist of the Turkish cinema. This film also reflects socio-economic and cultural life of the 70's-80's Turkiye. The film obviously talk to Turkish audience but who wonder that era of Turkiye can taste of it. The film underlines of love, friendship and -richness in the poorness- and also is a story about the people who prefers love, instead of money and fortune. The theme and narration may include some populist elements -like most Kemal Sunal films- but generally tells its story as well. The story is familiar to Turkish audience: A young man loves young girl. In most Turkish love films one of the partners is rich or poor according to the other but in this movie both sides are poor and they have many difficulties to reach happy end. In my opinion, these kind of movies always gives hope to people to get over it.

The story of a driver who abandoned his wife and child after becoming addicted to heroin, and his brother who fought to save him from this path.

Seyit Ağa, who attends a wedding to which he was not invited, starts an endless blood feud. A film adaptation of Osman Şahin's short story "Kanın Masalı" (The Tale of Blood).

The film is about a married man who cheats on his wife. Halil, a father of two, lives a happy life with his wife and children. However, despite loving his wife, he begins a relationship with another woman. After a while, he falls in love with this young woman named Deniz. He goes on vacation with Deniz. However, this vacation will not end as Halil had hoped.

Two young people who loved each other, one a chieftain's daughter and the other a traveling salesman, but no matter what they did, they could not be together in this world.

Yaprak is just one of thousands of young women, who leave their quiet village lives behind them to seek their fortune in Istanbul. But the reality of life in a big city is harsh, and Yaprak is forced to take a job in one of the cities licensed brothels. Her beauty and youth make her popular with the patrons and she is soon the focus of the attention of two men; Necmi, a spineless but well meaning young man, and Arab, a deranged pimp who has recently lost his main source of income, his wife Zargana. Necmi wants to take Yaprak away from her nightmare existence, but soon finds himself forced to separate from her by the viscous Arab. Arab spends all of Yaprak's money, but after a savage attack on her, she comes to her senses. She and Necmi get married and as Yaprak says farewell to her friends in the brothel, Arab returns for the last time to seek his brutal revenge...

The urban intellectual man is so overwhelmed that he has isolated himself. The young woman, bored in the countryside, is trying to escape to a different and bigger world. One person's place of escape is the other's place of longing. In this film, which encourages us to keep the world livable, director Olgaç says that friendship between people can only exist through love.