Acting
No biography available.
Thirty years after the 1980 coup, the paths of a family whose lives were shattered cross again. Deniz and Devrim, two siblings who never knew each other and were forced to grow up separately, reunite with their mother, Melek. Each of them harbors anger and longing that they have kept hidden for years. The three will revisit the past, confront each other for the first time in their lives, and try to piece the broken pieces back together.
Yılmaz is the dealer and close friends of famous filmmakers and actors. With the increasing drug operations in Istanbul, Yılmaz is getting paranoid about not being loved by them anymore. This paranoia makes him take bigger risks day by day and he will be destroyed by the desire for being loved.
Kosmos is a thief and a miracle-worker. He appears one morning in a tiny, snowbound border village where he is welcomed with open arms – on account of arriving just in time to resuscitate a small boy who would otherwise have drowned.
The story of 3 different generations living in the same city. Alper, his best friend Soner and his long-time girlfriend Hazan are studying at the same university. Lately the relation between Hazan and Alper do not go well. Soner supports them for the recovery of the relationship. Hakan, Barker and Serhat who are their twenties live in another district of the same city. They plan a vacation at a resort. They steal money and the car of their parents. Another generation living in this city are 12-year-old friends Mutafa and Emre. Their dream is to make programs at a radio. These three lives knotted together at some point at an unexpected time.
After his ad agency goes bankrupt, an indebted Fırat falls for a singer at a yoga retreat and joins her on a journey of self-realization.
Sükran's son Veysel works in a factory. Suffering as a result of her husband's political actions, she tries to save her son from the same fate.
A film director, disillusioned with the state of the world, decides to intervene in life itself by making a movie. He mortgages his family’s land and country house - not because his goal is to shoot a film, but to create a brand‐new model of production and, above all, a new ethics of creation. He publishes an impassioned manifesto calling on young people to join him, and soon the country house overflows with hopeful applicants who, inspired by his words, seek not just a job but the thrilling adventure of filmmaking and a chance at a new life.