Directing
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Autofiction. Documenting the process requested by my mother, which took her almost 40 years to accept. Intervening it with a Fiction, the meeting of two half-brothers.
Bernardo is an undertaker. He runs his mortuary business in the same house where he resides. In the front, he has his clients. And in the back, his dysfunctional family lives amongst coffins, wreaths, and the mischievous but nonviolent ghosts that visit on a daily basis. But when a malevolent entity enters the scene, it wreaks havoc on the already fractured household.
Set in a decaying Buenos Aires, a poor Argentine (Minujin) wrestles with his newly discovered superpowers.
Leandro and Silvina, a young and successful middle-class couple, are experiencing the happiest time of their lives. But the sudden appearance of Leandro's daughter from another relationship, destabilizes the couple revealing hitherto unknown differences.
It tells the story of Adelina, who, faced with an economic difficulty, decides to look for a solution in the jungle that surrounds her and to which she is closely linked.
A dogged detective and hard charging prosecutor track the criminal ring behind a gruesome series of murders. What they find shocks them to their core - a sinister satanic female cult leader orchestrating gruesome murder rituals to bring about the rise of the anti-Christ. They must figure out why this happened, when the next ritual will happen and how to stop her!
A country boy tries to find his place in Buenos Aires. He goes to live with his cousin in the outer suburbs and works as a parapalos ("pin setter") in one of the city's last hand-operated bowling alleys.
It tells the story of a people who stood on the side of the freedom, civilization and progress, but also some who are on the side of unbridled capitalism and race. However, they is still a possibilities of utopia and solidarity.