In spring 1938 in the mountains in the north of Chile a fiery UFO, later named "Chilean Sphere ", fell down. The investigation of this episode, made by a film crew, has led to a sensational discovery. It appeared that before the Second World War (in the thirties) in the USSR a secret space program had been developed. The Soviet scientists and military authorities managed to launch the first spacecraft 23 years prior to Jury Gagarin's flight! "The First on the Moon" tells about everyday life, heroic deeds and tragedy of the first group of the Soviet cosmonauts. It is the first Russian film shot in a very rare genre 'mockumentary' or 'documentary fiction'.

Mischa, a mute boy, sets out on a surrealistic journey together with his father and two men. Their means of transportation is an old Soviet locomotive, loaded with stolen coal. The travellers intend to sell off the loot on their way through the borderless steppes of inner Russia. As a parallel to the main plot, sequences of a mysterious travelling circus keep reappearing in a very suggestive way. Many of the odd artists at the circus are people that the four protagonists encounter in the wilderness along the overgrown railway. All through the movie there is a sensation of magic crossed with pure realism, stressed by the crackling communistic infrastructure and a twisted sense of humor. The border between reality and fantasy is very subtle here. The Railway is a story about strong family ties, but also an ambitious interpretation of the clash between the Russia of old and new. One could call it the rebirth of a long forgotten genre: the Russian wonder story.

A young driver fascinated by cars suddenly meets a young girl who owns a Ford truck.

A group of young treasure hunters are trying to find a powerful artefact buried by Nazis during WWII.

The lyrical story begins with the appearance of Alexandra, a female judo instructor in the army unit. She has a difficult task – to prepare ordinary guys for responsible competitions, to make them a cohesive combat-ready team in just 2 weeks. And what kind of man likes it when a woman teaches him how to fight? Lieutenant Avdeev, a well-known ladies' man and ladies' man, is starting a real war against the independent Alexandra. But the girl is not used to losing. Who will win this match? Of course, Love…

In the hunting lodge on the outskirts of one-of-a-kind natural reserve lives game warden, Vasily Klintsov (Igor Lifanov), a young former captain from the special task force. A rich German businessman, in the company of the governor, comes to the nearby small town for hunting. Wild boar hunting is a risky and dangerous business. In addition, as ill luck would have it, a very dangerous criminal escapes from the closely located nearby maximum security penal colony. The hunt should be canceled. But the stakes for the bureaucrats are too high - the 'money bag' is prepared to invest in several large projects. Relying on the traditional Russian blind trust in sheer luck, the governor gives his OK for the hunt.

Miron Alekseevich, director of a paper and pulp mill, goes to bury his wife Tanya in the place where they once spent their honeymoon. He goes not alone, but with a photographer named Stork, to whom he tells touching details of his life with Tanya. The narrative weaves together the memories of the characters, as well as the rituals and beliefs of the Meri people, a small Finnish tribe that once lived in the Northern Volga region and dissolved among the Russians.

Created under a 'manifesto' whose directives would make Lars von Trier shudder, an anthology is presented that might look on paper like an exercise in forced hipness. Fortunately, its creators – Harmony Korine (USA), Alexsei Fedorchenko (Russia) and Jan Kwiecinski (Poland) – prove innovative and just insane enough to make an exhilarating experiment.