A film director Nikolai Khudokormov is on the brink of his 50th anniversary. He has the whole life rich in events under his belt: creative quests, several marriages and children. Now he has to live with an old insane Mother and seems to be indifferent to what is going on around. But at the same time he is obsessed by the idea to make a film which will be his best one. Nikolai makes every effort to raise the money for this project. And all the time he is followed by a mysterious stranger. She is a beautiful young creature who speaks to him about the vanity of the world and the meaningless of a human life. Finally, Nikolai realizes that he is speaking to the Death herself.

The story presented to the viewer is both the story of Lenfilm, the most difficult period of his life, and the story of the Lenfilm artist Viktor Ivanov, who preserved human dignity and the history of our country in difficult conditions. The time in which Victor lived and worked was not easy: perestroika with its illusions and disappointments. One of the foundations of the film is Vitya's latest work, the cartoon "Sirin", which became his kind of message, a story about his time. The film also features numerous chronicle materials and interviews with famous St. Petersburg cinematographers.

A school teacher wasn't expecting to find a dead man corpse in her apartment during a party.

One day in the life of a modern St. Petersburg woman, a woman of post-Balzac age, with whom something is happening. Either a spiritual crisis or a momentary obsession...

Nikolai Petrovich comes to St. Petersburg to organize a revolution against the oligarchy.

This film is about Oleg Karavaichuk, eccentric musical genius and famous St. Petersburg composer, who takes his final stroll through Komarovo, a bay-side summer community just outside St. Petersburg where he spent his whole life and wrote most of his works. His final piece, “The Komarovo Waltz”, unveiled here for the very first time, was written as a tribute to the place. The film is the reclusive composer’s eulogy to the community. It also serves as Karavoichuk’s farewell to audience as well as his last address and reminder of things that are truly important – love for your fellow man and virgin nature.

The film is based on a video made by Sergey Lando on the Petersburg Recording Studio at the end of March 2009, before the 200th anniversary of Nikolai Gogol. Next day, Oleg Karavaichuk took the footage and assembled film. It was first shown on April 1, 2009 in Gogol's birthday at a concert "Diary of a Madman" in Culture House "Lensovet" in St. Petersburg. This film is not about Gogol, but is dedicated to him: in the intervals of playing the piano, the composer talks about the true roots of the writer's work, about the common fate of the greatest people of art, about the synthesis of music and literature, about eternity and paradoxes.

The film is based on a video made by Sergey Lando on the Petersburg Recording Studio at the end of March 2009, before the 200th anniversary of Nikolai Gogol. Next day, Oleg Karavaichuk took the footage and assembled film. It was first shown on April 1, 2009 in Gogol's birthday at a concert "Diary of a Madman" in Culture House "Lensovet" in St. Petersburg. This film is not about Gogol, but is dedicated to him: in the intervals of playing the piano, the composer talks about the true roots of the writer's work, about the common fate of the greatest people of art, about the synthesis of music and literature, about eternity and paradoxes.

Alexander Birgukov shot and killed his two commanding officers. He was sentenced to death but when it was alleged that one of his victims had sexually harassed him, his sentence was commuted to life in prison. Tenderly revealing two lives lived in limbo, this film bears witness to the first and final visit of his mother, Lubyov.