The funny clown Bratislav Metulskie is found dead in circus "Apollo". The retired commissioner 00 Schneider is asked to assume control of the case. Schneider and his aged sidekick Körschgen investigate to find the murderer.

The dreaded Doc Snyder returns home after 30 years. After his long ride through the prairies of the wild west, his laundry is extremely dirty, and who could wash it better than his unshaven mommy? But first she sends him to the prison, from which he is to free his brother Hank, because otherwise he will be hanged. When that's done, they both spontaneously decide to rob a bank, which goes completely wrong. Before Doc Snyder's eyes, his beloved brother is shot by his intimate enemy, the Nose Man. Snyder initially manages to escape, but the Nose Man takes up the pursuit, and from then on many innocent people have to die - including Snyder's mother...

Taking place around the German reunification of 1990, a group of East Germans cross the border to visit West Germany and get slaughtered by a psychopathic cannibal family who want to turn them into sausages.

Returnee Willy von Mühlenbeck has to realize that his evil brother Martin has risen to become the head of the industrialist family, while their ailing mother is in the hands of sinister doctors. When he falls in love with the terminally ill Els, fate takes a tragic course.

A dangerous gangster called the Lizard escaped from prison. He steals chickens and spits on old ladies. There's only one man who can catch him: the commissioner Roy Schneider!

A traumatized young man, abused by his father, imagines himself as Adolf Hitler when dreaming of revenge. Schlingensief released this film, which follows no linear narrative structure, at a moment when right-leaning German intellectuals argued for a coming to terms of the country’s relation with its Nazi past. Schlingensief disagreed. (MoMA)

An early declaration of war on narrative cinema, using a barrage of visual and acoustic elements while at the same time juggling ironically - as he still does - with the term 'avant-garde'. A number of other preferences and obsessions were evident at an early stage, e.g. the mind-numbing habit of having his people stumbling and screaming around: life as a race track. His films likewise feature a lot of theatrical and cryptic outpourings. No wonder that they failed at the box office. No wonder either, however, that Schlingensief was attracted to theatre.