
Production
Sergei Selyanov is a Soviet and Russian film director, screenwriter and producer. Head of the STV film company, co-founder of the Melnitsa Animation Studio. In 1972-1975 he studied at the Tula Polytechnic Institute, where he shot films in an amateur studio. In 1980 graduated from the scriptwriting department of VGIK, in 1989 from the Higher Courses for Scriptwriters and Directors. Shot his debut feature film The Name-Day together with Nikolai Makarov in 1980 (released in 1988). In 1992 organized and headed the STV film company. He is a producer of more than 60 feature and documentary films, including Brother (1997), Of Freaks and Men (1998), Brother 2 (2000), The Cuckoo (2002), It Doesn't Hurt Me (2006), Core of the World (2018), Compartment No. 6 (2021), which were awarded at Russian and International film festivals.

At the beginning of "perestroyka", city authorities are getting ready for another event in keeping with the spirit of stagnant times. A director with a rather "unyielding" character is assigned to make a film about the birth of the one millionth inhabitant. However, when he finds the heroine of his story, there is no much "positive" to show as this family hardly suits for advertising happy life...

His motto was laconic: "I promised - stay still." This is how Alexei Balabanov lived, raised his sons, was friends, and so filmed. A legendary director and an extraordinary person who made both "festival" and "mass" films with equal ease. He was a great father and a difficult husband, a loyal friend and an honest guy. Balabanov with his life, passions, losses, burning pain on the way to God in the memories of those closest to him - mother, sons, wife and friends. He seems to be telling the crew again: "Let's do it talentedly!"

The film “We Others Will Not” emerged as a direct continuation of numerous meetings and conversations with Sergei Bodrov Jr. and Alexei Balabanov. The idea to reflect again on the phenomenon of Sergei Bodrov Jr.’s identity belongs to Evgeniy Nikishov and Valeriy Fedorovich. Together we decided to go on this difficult journey. Close friends and colleagues talk about Sergei: the producer Sergei Selyanov, the designer Nadezhda Vasilyeva, the composer Vyacheslav Butusov, the cinematographer Sergei Astakhov, and also… Sergei Bodrov Jr. and the director Alexei Balabanov, whose films “Brother” and “Brother 2” acquired popular fame at the threshold of the 2000s.

A documentary grotesque in which even the walls speak. Famous directors of St. Petersburg cinema recall their lives and work, and images of old films come to life to remind the viewer of themselves.

A documentary about the phenomenon of the Brother duology and its place in the country's cultural code. Directors Anna and Grigory Selyanov explore Balabanov's legacy, rare archives, and routes from Moscow to New York to understand how these films united several generations of Russians.

September of 1944, a few days before Finland went out of the Second World War. A chained to a rock Finnish sniper-kamikadze Veikko managed to set himself free. Ivan, a captain of the Soviet Army, arrested by the Front Secret Police 'Smersh', has a narrow escape. They are soldiers of the two enemy armies. A Lapp woman Anni gives a shelter to both of them at her farm. For Anni they are not enemies, but just men.
The story takes place against the backcloth of the world sauna championships in Helsinki as a Russian man tries to earn some much needed money.

A group Russian soldiers is send to an outpost to guard the area. They pass the day patroulling the area, while being shot at from the forest. They never know if the civillions are hostile or friendly to them.

Once a fragile ballerina Olya meets a rude and gloomy boxer Evgeny. The contrast between the worlds of the heroes and their worldview is so striking that the very possibility of intersection of heroes appears as a miracle. Are the heroes ready to accept the same timid feeling that arose between them? Will they overcome everything external and superficial, behind which fragile loving souls are hidden.

Christmas night. Married couple. All the guests have left and it’s time to dig into the marriage relationships – do husband and wife still love each other or not? If they have ever loved at all… Are they telling the truth or are they lying? Can they forgive and forget? Should they stay together or get divorced?

Danila goes to his successful brother, Victor, in Petersburg to start a new life. Unknown to Danila, Victor is a contract killer, but is in hiding after asking for too much money to assassinate a Chechen mob boss. To avoid exposure, Victor convinces Danila to kill the boss instead.


The end of the 19th century. A tiny colony of lepers in the isolated Yakut taiga. A healthy girl, brought there by chance, falls in love with one of the young male lepers. Soon she is bearing his child. His wife suddenly arrives from the outside world and tragedy ensues within this strange love triangle.

They say good girls go to heaven, and bad girls go wherever they want. Boys have no better options. His wife left Pashka. And he began to suffer selflessly: drunkenness, scandals, fights with the culprit of the breakup, doctors, drunkenness again, pills and even a clinic of neuroses. But he was quickly discharged, they said that he was healthy, and that he needed to continue living alone, if possible. Pashka, however, was very bad at it, until one day he met a beautiful stranger at the pharmacy. Night, wine, her apartment. Will love save this time or can it let go like that?

Ivan sets off on a dangerous mission into Syria to save his ex-commander Grey after his capture by ISIS. With the help of U.S. military patrols, he succeeds in freeing Grey and attempts to escape the country while being hunted by terrorists.

