
Acting
Sergey Vitalyevich Bezrukov (Russian: Серге́й Вита́льевич Безру́ков) is a Russian screen and stage actor, People's Artist of Russia, and the laureate of the State Prize of the Russian Federation. He currently works at Tabakov Studio (the theatre of Oleg Tabakov). Sergey Bezrukov is the son of actor Vitali Bezrukov, graduated from Moscow Art Theatre, and made his cinema debut in Nocturne for Drum and Motorcycle. Since 1994 he has played a wide range of characters in Russian films and mini-series, such as Ivan Brilling in Azazel, Kappel in Admiral, Vladimir Vysotsky in Vysotsky Thank You for Being Alive, Sergei Yesenin in Yesenin, and most recently Sumarokov in The Strict Routine Vacations. He also performs as a voice actor, giving life to titular character Prince Vladimir in the animated film, and providing voices for Russian television series Kukly. Throughout the 2000s, Bezrukov has portrayed numerous Russian historical figures, notably Alexander Pushkin, regarded by some to be Russia’s premiere poet. According to the survey of ROMIR Monitoring, in Russia he was called the favourite actor of 2005. In March 2014, Bezrukov invited controversy when he signed a letter of support for President Vladimir Putin’s military occupation of the Ukraine’s Crimean Peninsula.

The movie has reveal the last days of the famous and popular Russian poet - Alexander Pushkin. After the poet faced scandalous rumors that his wife Natalya Pushkina had embarked a love affair, Pushkin then challenged her brother in law to a duel!

An unofficial sequel to the movie "Ivan Vasilyevich Changes His Profession". The events take place on New Year's Eve 1997-1998, 24 years after the events of the movie. According to the plot, the main characters (Shurik, Bunsha, Zina and Ulyana Andreyevna) are going to celebrate New Year's Eve, and the engineer Alexander Sergeyevich Timofeev (Shurik) decides to present his recreated (and modernized) time machine to the guests. Having gone to the XVI century, they find there an aged Georges Miloslavsky, who has been sitting as regent for 25 years instead of Ivan the Terrible, who has run away; the Tsar was so inspired by the profession of Zina and Yakin that he decided to try his hand at filmmaking and went to "Mosfilm" instead of the Tsar's chambers. In an effort to correct the disruption of the course of history, the heroes re-engage the time machine and travel back to the 1970s in search of the Tsar, who dreams of becoming an actor.

Thirty years have passed since Zhenya and Nadya met—they broke up, and Nadya moved to Leningrad. The friends still go to the bathhouse, and now they are joined by Konstantin, Zhenya's son. Uncle Pasha and Uncle Sasha persuade Kostya to arrange a New Year's miracle for his father and send him to St. Petersburg. Nadya's daughter lives at that very address, and on the same day, her fiancé, Irakli, is planning to propose to her.

1919, Solnechnomorsk. Talented adventurers have become too unexpected: now they are wanted by the Russian and Turkish police. They go to the south of Russia to take possession of the golden scepter of Count Rumyantsev. In pursuit of a precious little thing, terrorists, circus performers and even participating ladies can dress up as them. Meanwhile, Ostap’s mother is approaching the paws of the gloomy Satanist Crowley, in whose treasury, by a mysterious coincidence, there is also a scepter ...

This is a story of a great love facing the greatest drama of the history of Russia. Admiral Kolchak is a true war hero and beloved husband and father. One day he meets Anna, the love of his life and the wife of his best friend. The revolution in his heart faces the revolution in his own country His destiny is to become the Supreme Ruler of Russia.

Two escaped convicts pose as children's summer camp staff in order to evade capture and learn about caring for others in the process. Sumrak has been in prison since he was 16 years old but is pushing thirty now, is well acquainted with prison gang culture and covered with tattoos. Evgeni Koltsov is a former police officer unjustly imprisoned and destined for a death sentence from the other inmates if he stays in prison.

The plot follows the events surrounding Vladimir from childhood and into adulthood. In the beginning of the film, being under the influence of the high priest Krivzha, the Prince is a young, impulsive and cruel pagan. Fighting for supreme power, Vladimir wins a battle that kills his brother. Regretting what he has done, Vladimir does not suspect a conspiracy between the priest and the Pechenegs. Vladimir is concerned about gathering the Slavic tribes into one united state. Solving this major task, he faces obstacles, which Vladimir overcomes in the end, defeating Krivzha and winning the battle against Kurya, a Pecheneg chief.

The author's remake of the famous New Year's comedy is not an exact copy of the original. Festive mess in the same House of Culture, where they celebrated the New Year 50 years ago. Now the institution is named after Ogurtsov and is headed by Mr. Kabachkov. A young enthusiast Alyona Krylatova and a young man Denis Kolechkin work in the recreation center. Alyona, as she can, opposes the "arts" of the bureaucrat and opportunist Kabachkov, and Denis helps her.

1945. The International Military Tribunal begins its work in Nuremberg. A huge number of people from all over the world come to the trial, which will later be called the Trial of the Century: the city is crowded with journalists, lawyers, translators, witnesses and many participants and employees of the process.

A story about Marina and her problematic life after divorce.

Four stories that the viewer can relate to, all about father’s love. Our relationships with our fathers are very different. However, no matter how our lives work out, for our dads we always stay kids. Different destinies. Different characters. Different relationships. One challenge – be a dad.

Aleksey Temnikov is a renowned ballet dancer and an acknowledged genius whose career was abruptly cut short after sustaining an injury in the 1990s. Twenty years later, Aleksey discovers that his condition is degenerative and that he will soon lose the ability to walk. Aleksey sets out to choreograph a ballet he envisaged long before but never staged for fear of failure. “What will I leave behind after I am gone?” is a question Aleksey feels he must contend with. However, returning to the world of ballet will not be easy for a man who has made so many enemies over the course of his life.

The funny adventures of a characters of Russian folk fairy tales in the contemporary world.

The funny adventures of a characters of Russian folk fairy tales in the contemporary world.

Konstantin, a songwriter and master guitarist, runs away from numerous problems to the nature reserve Mikhailovskoye. Kostya has long lost any way of income and has almost given up hope to be heard, living by sheer inertia and often drawing on alcohol. His wife and daughter are going to Canada, and in his head he constantly turns around the question: what exactly has gone wrong? How can he put it right? Does anyone need his creative work at all, or has he just talked himself into that? Maybe Konstantin has enough energy to change things, but he strongly doubts that: indeed, why and for whom should he try. Nevertheless, the nature reserve is the right place to collect his thoughts, break the minefield of his own life into sections, and get to work.

Gordey's discovery of a gold vein - a test of character that few will pass.
Artyom and Slava are students of Moscow State University, one is studying at the Faculty of History, the other at the Physics. They have no money, no connections, no relatives, except for grandmothers who regularly send half of their pension, but they have youth, joy in life, a sense of humor and the hope that they will surely “break through” and they will have everything well. In this situation, you can even live on a scholarship. Everything would be fine if the students didn’t have a seemingly simple task in one day: to get 40 thousand rubles in two weeks to participate in the Roscosmos project competition with their own promising development. It would seem ridiculous money for a city like Moscow. But absolutely not funny for poor students - sophomores.

An adaptation of Sergei Yesenin's late and darkest poem. A continuous, single-frame dialogue between the protagonist and his double, the "black man," a hypnotic and disturbing descent into the depths of the human psyche.





