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Serge Rezvani (born Cyrus Rezvani in 1928) is a French painter, engraver, writer (novels, plays), as well as a songwriter-composer-performer (he describes himself as "multidisciplinary") He is also known by his pseudonym Cyrus Bassiak. Born in Tehran, Rezvani is the son of a Persian father, Medjid-Khan Rezvani (1900–1962), and a Jewish mother who had immigrated from Russia. His mother moved with him to France when he was age seven and spoke only Russian. He attended a boarding school for Russian immigrants, where he learned French. Rezvani has written over 40 novels, 15 plays, and two poetry collections. He is the author of more than 150 songs, including the famous Le Tourbillon, sung by Jeanne Moreau in the film Jules and Jim, as well as J'ai la mémoire qui flanche, also performed by Moreau (he signed these songs under pseudonym Cyrus Bassiak, which means "barefoot" in Russian). Rezvani also wrote two songs for Godart's Pierrot le fou: Jean-Paul Belmondo and Anna Karina sing, Jamais je ne t'ai dit que je t'aimerais toujours, ô mon amour and Ma ligne de chance. After losing his first wife, Lula, to Alzheimer's in 2004, in mid-2005, he re-established acquaintance with the French actress Marie-José Nat, who was then the widow of Michel Drach. The two couples had known each other and had briefly met in the 1960s. Serge and Marie-José married on 30 September 2005, aware (as they said) that they would have only a few more years to live, and he wrote a book about their relationship, Ultime amour. Rezvani lived with Marie-José Nat in Bonifacio until her death in October 2019. Source: Article "Serge Rezvani" from Wikipedia in English, licensed under CC-BY-SA 3.0.

In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.


Joshua, in his thirties, has just learned that his file has been classified “child of X” : in other words, the identity of his parents remains unknown to this very day. He thereupon decides to designate his parents himself and sets out to “conquer” his unknown mother and father.

A few years after "I Don't Know If It's Everyone", Vincent Delerm continues his documentary and sensitive exploration of feelings in a second film, this time tackling the most vibrant of all: the feeling of love. Delerm operates alone and grabs his camera to explore women and men, anonymous, artists, acquaintances or friends, in the spring or winter of their lives, all dissimilar but all in unison when it comes to evoking with delicacy, emotion or humor their relationships with the vertigo of love.

Who hides behind Brigitte Bardot? Extraordinarily photogenic, a tumultuous love life, the ultimate sex symbol for the 1950s and 1960s, the actress, singer and animal rights activist left an indelible mark on her era. Despite over 30,000 photos published in the press, her true personality has long-remained in the shadows.

