Directing
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A troubled young woman who lives alone in a rundown house meanders around and one day reveals a hidden talent when she goes into a bar, plays magnificently at the piano, and leaves as mysteriously as she came. Meanwhile, an unidentified man is on her trail and eventually tracks her down to the bar she had visited. As the dragnet around her closes in, it becomes apparent that the young woman's stepmother is behind the effort to locate her. But questions over why she is hiding out and what she is hiding from begin to take on more importance as the history of the young woman starts to surface.
Reel 26 of Gérard Courant’s on-going Cinematon series.
Jacques Tourneur is a director of B movies, yet his films display such sophistication that they attract the attention of cinephiles. It was from the 1950s–1960s onward that his work began to gain recognition. Deeply marked by the uncanny and by fear, what does it reveal about the filmmaker’s personality? His apparent nonchalance may well be nothing more than a façade.
This gripping historical drama recounts the story of Armenian-born Missak Manouchian, a woodworker and political activist who led an immigrant laborer division of the Parisian Resistance on 30 operations against the Nazis in 1943. The Nazis branded the group an Army of Crime, an anti-immigrant propaganda stunt that backfired as the team's members became martyrs for the Resistance.
Brian and Nourredine are two lousy young offenders. Their flights have a motive: a film brought back from San Francisco where the father of Brian, singer of rock of the sixties, today in prison, made a tour.
A double of Sacha Guitry watches several scenes from the artist's films, reads out his letters, goes through his personal archives, and even asks opinions from other film directors on the phone.
After the Second World War, Claude, son of communist resistance fighters, whose mother died in Auschwitz, and Ben, child of a prostitute and a Jew, face the demons that haunt them with the help of Françoise Dolto.
African filmmaker Idrissa Ouedraogo (YAABA) discusses the influence that Charlie Chaplin has been on his work, along with archival footage of interviews with several of Chaplin's co-stars.
In 1978, Gilles Jacob landed what must seem like a dream job to many film buffs -- he became the director of the Cannes Film Festival, the world's biggest and most prestigious event for international cinema. Born in 1930 to a Jewish family, Jacob survived World War II by hiding out in a Catholic seminary, and developed a passion for movies as a teenager, attending school alongside future director Claude Chabrol. In his late teens, Jacob founded his own film magazine, Raccords, and he later became the chief film reviewer for L'Express (where he lost his job for having the temerity to give The Story of O a bad review). In 1978, Jacob took over as director of the Cannes Film Festival, and set out to make the world's greatest film festival even better by creating new showcases for promising talent (while still maintaining room for gifted veteran filmmakers), expanding the facilities and continuing to entertain and challenge audiences each year.