Berna, a theater artist, struggles for the sake of acting only for art at a time when popular culture is dominant. Meanwhile, during a visit to a museum on 'The First Women of History', she is very impressed by the hand-painted portrait of Afife Jale, the first Muslim Turkish actress to appear on stage.

A portrayal of three cancer patients' struggle to hold on to life and their friendship.

Tulay, a restless woman whose marriage is slowly disintegrating sets out to come to terms with various traumas while continually being watched by Halit, a resident in her apartment complex.

Five short films by five directors based on themes of love and tolerance, each independent of the other. Supported by the Ministry of Culture and Efes Pilsen. The collection includes five short films: Ömer Kavur's "The Meeting," İrfan Tözüm's "Monte Cristo," Yusuf Kurçenli's "Because I Love Her," Erden Kıral's "Moon Stories," and Zeki Ökten's "Always the Same."

In 1940s Turkey, the war is recently over, but the wounds are still fresh, and the WWII is going on next door. A different family lives in each room of a mansion. They all lead a scarce life but hold on to life with hope.

In the last years of the Ottoman Empire, a poor little Anatolian town named Saripinar is hit by a minor earthquake which has neither destroyed nor left it with many casualties. However, a telegraph sent to the central government exaggerates the situation and mentions that the governor of the town has been severely wounded, making the event a nationwide matter.

A prostitute lays a rape charge against a politician and an unexpected friendship develops between her and the politician's wife.

In this deeply symbolic and visually lush film, as far as Tashbash is concerned, he's just a malcontent, a fairly ordinary hell-raiser who has gotten into trouble with the law in the past. Sure, he hates the village headman who is a toady to the region's oppressive landlord, and he dislikes the fact that everyone looks to the headman for help because they have no place else to turn, but he's just an ordinary guy and has no solutions for his fellow villagers. However, after one of them has a vision in which Tashbash is shown to be a manifestation of one of their more important local saints, the villagers unite as one in seeking him out for help with the upcoming visit of the landlord to collect rents which they can't pay. Their adulation and reverence is so persistent that eventually even Tashbash becomes a believer.