Told entirely from a first-person perspective, the film follows George, a disabled boy struggling to survive a zombie outbreak in Japan alongside his older brother Shin. When they encounter hostile survivors and growing danger, George is forced to rely on his resilience, his wits, and unexpected allies. Together, they navigate collapsing safehouses, relentless threats, and the search for life-saving Zombrex as they fight to stay alive in a world overrun by the undead.

The opening bust-shot, with its frequent use of cut-away shots and blurred dialogue, is like a campus version of Ozu's films. As the story progresses, however, the film itself breaks away from a style that was as borrowed (but still very fitting) as the protagonist. The way the film acquires its own rhythm and flavour is more than just a pleasurable experience, it is a cinematic pleasure.

Based on the manga of the same name by Mamora Goda, a manga artist known for works such as Kirakira Hikaru, this human drama depicts a father who has no interest in his daughter and a daughter who has forgotten her father.

Katsutoshi is forced to flee his hometown and ends up at a rundown nightclub called "Tokyo Playboy Club." His hot-headedness gets him into further trouble, and the club's waiter Takahiro and his girlfriend Eriko also get caught up in it as their underworld predicament worsens to the point of no return.

Although the situation is universal, Japanese mourning rituals are given solid coverage. The 49th day after death is considered crucial, as the date at which the soul passes from this world to the next and, therefore, the date from when the living are expected to get on with life. But Yoko doesn't move on. The ache of the loss that simply won't heal takes an awful toll on her husband and friends, who try doggedly and unsuccessfully to help her move on, and to guide her away from the misguided and damaging belief that daughter Kanako's spirit has entered another living child.

Even though Kumiko realizes that she won’t be able to patch things up with her former lover, she ends up preparing a meal for him. Though she lives only for going to the concerts of her favorite band, Mie curses her nonexistent luck when she’s forced to do overtime on the day of a concert. Although Tsuda somehow lives off of doing day labor, he does not have any friends and is unable to establish interaction with society. In his indolent lifestyle, Rikuo only knows how to express himself through violence. The clumsy lives of these characters intersect.

Shuichi and Rina are a twenty-something couple living together. Shuichi is working as a fiction editor for a book publisher, while Rina is unemployed, since she finds it hard to keep a job. When Shuichi's colleague runs away because of their terrible boss, Shuichi suddenly gets reassigned to work with Nishikawa, a stuck-up author who writes banal but popular self-help books. Rina gets hired to be his editor by complete chance, since Nishikawa ends up liking her out-of-the-box thinking. When Rina starts to succeed while Shuichi struggles, the problems in their relationship start to become apparent.

Segment 1 - actress Saki Aibu plays a woman who doesn't do anything. Segment 2 - actress Asami Mizukawa plays an unlucky woman who messes up a man. Segment 3 - actress Koyuki plays an excessively beautiful woman. Segment 4 - actress Yuka plays an easy/promiscuous woman. Segment 5 - actress Kyoko Hasegawa plays an ordinary woman.

Set in the early 1990's, after The Persian Gulf War began, a 30 year old man passes himself off as Captain Kuhio a pilot for an American Special Unit. He also boasts that he is the offspring of Kamehameha I and a distant relative of Queen Elizabeth of England. In actuality, the man is a marriage swindler looking for his next big score.