A man looks at a woman who has her back to him. The woman looks at a window. The window and then a hypothesis for a possible story: a persecution, a waiting, some enigmas, a tragic end, a return. In this singe narrative film featuring a striking mise-en-scène and a thrilling rhythmic composition, Sebastián Lingiardi demonstrates that it is possible to make a detective film in the geographical emptiness of the Argentine pampas.

A man looks at a woman who has her back to him. The woman looks at a window. The window and then a hypothesis for a possible story: a persecution, a waiting, some enigmas, a tragic end, a return. In this singe narrative film featuring a striking mise-en-scène and a thrilling rhythmic composition, Sebastián Lingiardi demonstrates that it is possible to make a detective film in the geographical emptiness of the Argentine pampas.

A man looks at a woman who has her back to him. The woman looks at a window. The window and then a hypothesis for a possible story: a persecution, a waiting, some enigmas, a tragic end, a return. In this singe narrative film featuring a striking mise-en-scène and a thrilling rhythmic composition, Sebastián Lingiardi demonstrates that it is possible to make a detective film in the geographical emptiness of the Argentine pampas.

Gustavo Salvatierra returns to his hometown, Sipo’hi, in the Chaqueño (the impenetrable forest in the north of Argentina), with the aim of listening and collecting stories of Wichí culture, transmitted orally from generation to generation.

Gustavo Salvatierra returns to his hometown, Sipo’hi, in the Chaqueño (the impenetrable forest in the north of Argentina), with the aim of listening and collecting stories of Wichí culture, transmitted orally from generation to generation.

Gustavo Salvatierra returns to his hometown, Sipo’hi, in the Chaqueño (the impenetrable forest in the north of Argentina), with the aim of listening and collecting stories of Wichí culture, transmitted orally from generation to generation.

Gustavo Salvatierra returns to his hometown, Sipo’hi, in the Chaqueño (the impenetrable forest in the north of Argentina), with the aim of listening and collecting stories of Wichí culture, transmitted orally from generation to generation.

Film in two cities divided by one river: Buenos Aires, Montevideo. Two cities divided by one story: the death of Francisco. One death divided in two parts: an investigation, an escape.

Imagen Mala is a film by and from the life and work of the Argentine poet Alejandro Rubio: cult poet and backbone of what is known as “Argentine poetry of the 90s”. Rubio's voice reading poems; images from television, from the National Congress, from public demonstrations, from poorly translated American films; an interview with the poet and some images beyond and here in time make up this film that makes an era present.

Imagen Mala is a film by and from the life and work of the Argentine poet Alejandro Rubio: cult poet and backbone of what is known as “Argentine poetry of the 90s”. Rubio's voice reading poems; images from television, from the National Congress, from public demonstrations, from poorly translated American films; an interview with the poet and some images beyond and here in time make up this film that makes an era present.