An ancient ancestor to the modern Hollywood soundtrack. Laser printed loop; 16mm, optical sound; 2012

Ink is lifted directly from the page in a physical adaptation of Victorian Frames, Borders, and Cuts, published by the Dover Pictorial Archive; a study in embellishment from the 1882 type catalog of George Bruce's Son and Company.

Four Winnipeg houses as documented by reporter Lillian Gibbons, with illustrations by Arlene Osen.

C+M, for YK. Subtractive colour blending is used in an attempt to conjure Yves Klein's 'L'accord bleu (RE 10)', 1960. The limitations imposed by media and technology ensure that my perfect pigment never is, and that what is produced is ephemeral, declarative, and reverent of the impure. Laser printed onto recycled 16mm film in 2014.

C+M, for YK. Subtractive colour blending is used in an attempt to conjure Yves Klein's 'L'accord bleu (RE 10)', 1960. The limitations imposed by media and technology ensure that my perfect pigment never is, and that what is produced is ephemeral, declarative, and reverent of the impure. Laser printed onto recycled 16mm film in 2014.

Godzila is here.

An abstract account of the 1946 fire at the La Salle Hotel in Chicago, Illinois, where even the frame itself threatens to collapse. Archival footage broken down digitally and reconstructed via laser printer onto recycled 35mm film, in 2011.

An ode to a misunderstood font is rendered by laser printing directly onto 16mm film. Made in MS Paint.

Directed by Scott Fitzpatrick.

"I broke my hand last summer." A memoir of tenderness hazarded, muted ache, and a fibreglass cast.