Notes on chance, readymades, and time. Shot at Massart graduation 1997 and Boston 4th of July97. Some of the people appearing are Barbara Bosworth, Stephen Tourlentes, Roy Decarava. Edited shortly thereafter, printed DECEMBER2018 released 2019.

Concerned with the relation of a word to what we hear or see in our mind when we see it. How this relates to film and color.

For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform relationships between the body and the camera to propose works that will engage with both perception and embodiment. Could cinema be an art of embodiment? By what rituals and actions could vision become tactile?

Something of an aesthetic convergence between the diaristic autobiographies and quotidian images of Jonas Mekas (as illustrated in his Diaries, Notes and Sketches chronicles) and the hand crafted dissonance and material violence of Stan Brakhage, “Note to Pati” presents a seemingly typical winter scene – the day after a snow storm as a suburban neighborhood digs out from under the accumulation and children make the most of an unexpected day off from school by playing in their winter wonderland. Saul Levine’s images are diffused, faded, and ephemeral, made all the more dissociating by Levine’s disorienting rapid cut editing, restless and twitching camerawork, and destabilized, quick pan sequences – an evocation of a transitory and wide-eyed innocence.

Founded under water ... all at sea ... made at land.

Made in Binghamton in 1976 - a warped record constructed out of visits to the zoo, relatives and various locations. Appearances by obsessive birds, caged bears and hungry rams. "Certain shots are very evocative, such as a long shot of a group of people sitting on a park bench, one person playing a song on a recorder. The sound of the music, its fragility, is matched by the distance of the shot, lending a feeling of precariousness to the moment. There is a repeated shot of a warped record playing, with the same musical phrase endlessly repeated. The shot is an interior one, with the lighting casting a golden glow on the scene. The warped repetitions begin to reverberate with suggestions of frustrations." – Daryl Chin, The Soho Weekly News "His first talkie, NOTES OF AN EARLY FALL is a characteristically raw work that parlays even the sound of microphone rumble into a formal element.

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the frame left unexposed. LIGHT LICKS are ecstatic flicker films inspired by jazz and mystic visionary practice.

A confrontational rant addressed to the judges of the films entered in a Super 8 competition at No Exit. Both Mark and I were surprised when not only was it shown at the festival but it generated much laughter and angry conversation. -Saul Levine