
Acting
From Wikipedia, the free encyclopedia Satyen Kappu (1931 – 27 October 2007), also credited as Satyendra Kapoor, was an Indian character actor in Bollywood films. His most remembered role is Ramlal in movie Sholay (1975) and as Amitabh Bachchan's father in Yash Chopra's Deewaar. His other notable films are, Kati Patang, Mausam, Yaadon Ki Baraat,Khote Sikkay, Don, Raaste Ka Patthar, Benaam, Zanjeer, Majboor, Namak Halaal, Kaala Patthar, and Mr. Natwarlal. Description above from the Wikipedia article Satyen Kappu, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Jeeva, the son of a elderly washer woman, is tired of the abuses at the hands of his village's leader Thakur Jaswant Singh, and vows to bring about his downfall.

An honest and upright lawyer becomes a judge; marries his disabled daughter to a crook, and is blackmailed to compromise his judicial judgements.

Meena is an attractive young lady who lives with her middle-classed parents in a city in India. Her father is Parshuram who works as a chaprasi (peon) with an organization run by the wealthy Vikram Singh. Meena meets with Raja, a fellow collegian, and both fall in love with each other. The two lovers run into problems when they find out that another young man by the name of Ajay also loves Meena and will not permit anyone to get in their way. But when Meena appeals to Ajay, he relents and gives his blessings to the young couple. Just when the two think the line is clear for them to marry, Meena's parents receive a proposal from Vikram Singh. Greedy Parshuram is delighted with this, and hopes that he will get a promotion for being the father-in-law of the owner of his employer. The question remains will Meena also react like her dad, and agree to marry Vikram?

Multi-millionaire Balwant Rai is a widower who lives with his daughter Uma and a school going son Amar alias Munna. Since Uma is of marriage-able age, Balwant decides to get her marry to Sunderlall's son Raghuveer and they all move in to live with Balwant at his estate. In order to take cover of Balwant's entire property Sunderlall and Raghuveer first have him killed, locked up Uma in a den and attempt to kill Munna who is saved by a village boy named Mangal. Years later Mangal and Munna have now matured, and Munna has decided to make his friend Mangal the managing director of the entire Rai group of industries much to the disappointment of Sunderlall who has all time been the M.D of Rai industries.

Bitter hatred had always existed between two Rajput families, namely those of Bharat Singh and Prithviraj Singh, resulting in the death of Bharat's nephew. Years later, Prithviraj's son Dharamraj gets married to Sunaina, who gives birth to a baby boy named Deshraj. On Deshraj's 10th birthday, Prithviraj goes to make peace with Bharat and invites him for a birthday party, which Bharat attends, but there is no end to the animosity - which results in the death of Prithviraj, when his chauffeur, Chandu, is bribed and manipulated by Bharat and his men. (Watch for more)

Muqaddar ka Faisla, is the story of Pandit Krishna Kant. A poor, but extremely honest, upright, God-fearing man, who refuses to compromise on his principles.
A vain, self-righteous nobleman falls in love with a village girl and tries to transform her into his version of the ideal woman.

Suraj a painter who is called to paint Asha's adult image who was lost in her childhood but the housemaid requests him not to do as there is motive of killing behind this so to bluff the culprits Suraj paints image of his dead wife Chanda.
Govinda and Aditya Pancholi star in this powerful tale about two brothers whose love for each is greater than any other bond. While manipulative orphan Karisma (Karisma Kapoor) falls for Suraj (Govinda) and tricks him into marrying her, his sibling, Deepak (Pancholi), is busy with a love of his own. In the meantime, scheming underworld kingpin Khanna (Shakti Kapoor) is doing his best to tear Suraj and Deepak apart.

A boy grows up with a teacher's family after his uncle has the boy's father killed for personal gain.
